"These narratives are little more than pleasantly off-kilter sketches with confounding resolutions, but director Tatia Rosenthal and writer Etgar Keret artfully present them as an interconnected, crosscut network of neighborhood activity." - Joseph Jon Lanthier
Average. A by-the-numbers animated search for the meaning of self and existence. A calculatedly vague and random re-hash of countless similarly themed wannabes. But it does have stop-motion T&A and full frontal detailed mail nudity. Not particularly recommended.
The older style animation really adds to the near-morbid tone of this film. It feels like it begins in our world, but slowly starts to take a turn and get more and more uncomfortable. This isn't necessarily a bad thing, as it gives the film its own distinct tone. There's not very much like $9.99 out there, but, personally, I don't agree with some of the choices the characters make.
16 Nisan 09, atlas sinemasi, 28. ist. film fest., 21:30, abimle & dahiyane bir acilisi var filmin. hayat hakkinda kor goze parmak seklinde istedigini soylese de ve bu soyledikleri klise olsa da, animasyonun kalitesi, muziklerin kullanis basari ve diyaloglar%u0131n kurulusu bakimindan saygi duyulmasi gerekilen, hayran duydugum bir film, animasyon.
Sad and at times thought-provoking but that's about it. This is a mediocre animated film that asks the famous question: "What is the meaning of life?" There is nothing to set this apart, though, from the countless other films that ask the same old question except perhaps that it is made in stop-motion. But I did find the story about the boy and his piggy bank particularly poignant. But for the rest, not so much.
the film started with potential and then devolved into a mis-mosh of stories that strained mightily for credibility and, eventually ALL failed. dismally.