Family reunion and reconciliation: the black sheep returns from banishment in time for his mother's battle with cancer. The setting-up of who's who is clumsy, and the occasional direct address to the camera is lazy, and two and a half hours are more than enough. But the unified French ensemble breathes some life into it: Deneuve, Roussillon (offbeat casting as Deneuve's toadish husband), Consigny, Amalric, Poupaud (always a screen-brightener), Mastroianni, Devos, and Capelluto.

easily one of the best of 2008. Amalric and Deneuve are simply great. well written and executed.

Characters that are nowhere near interesting or dynamic to stay with for two-and-a-half hours, several unexplainable moments, and distracting editing sink a film with so much potential. I love films about dysfunctional families, but this was a major disappointment. Mathieu Amalric is the only reason to see this.

It was overlong - the characters were nowhere near interesting enough to spend two and a half hours with!, contained bizarre and completely out of place philosophizing monologues that would work in some movies but in a film about family just come off as silly and it used that ridiculous peephole camera technique that kicks you straight out of the movie. That said some of the revelations and interactions are quite interesting and the ensemble is superb.

Great tale of a dysfunctional family...quite dysfunctional now that I think about it, but what family isn't? Very well acted though Anne Congigny's character was a total bitch for no reason whatsoever. Had a little trouble keeping up with who's who at first, and was a little bored, but when they all get together, the film really picks up. I loved their interactions together, and it's a very moving and funny story.

Good. A fragmented family is brought together due to an impending medical emergency. The film features the A-list of French cinema and looks it too. Unbelievable performances by the entire ensemble cast. The film deftly portrays the siblings' relationship, sacrifice..subtle love and intense hatred. Though it could have spent a bit less time on some of those facets as it feels too lengthy at times. But it has several great moments. Recommended.

Clumsy and unfocused story of that old chestnut, the dysfunctional family get-together. Although these people are rarely outright nasty to each other, they're callous and oddly unconcerned about things they should be concerned about. The film is also overlong and relies on a schizophrenic bag of cinematic tricks that often feel out of place, or at least unnecessary. The performances however, are very good... a real feat, considering the characters are so unsympathetic and inconsistent.

Mais comment fait il ???!!!

A long, majestic look at a dysfunctional family going through it's problematic past during the holidays. Give it a chance: I too only fell in love on the second viewing.

A bitter pill to swallow, and not just because that's the way Desplechin intended it. A Christmas Tale is somewhat frenetic, managing to come off simultaneously as dense and tryingly prolonged, heated but of neutered emotions. It is, really, an attempt at intellectual tragicomedy that doesn't quite wash.

The real strengths of this film are in its complex editing, its performances, and its inventive use of various forms to tell the story. And while I appreciate the various layers of the story following this family over a weekend, it takes a couple of extremely odd turns that remain unexplained (or unexplored) which serve more to create distance in a dissonant rather than invitingly mysterious way. That said, the formal qualities of the film are some of the best I've seen in recent world cinema.

As good as tragicomedies about family, love and death get. The writing is specially strong, with solid performances and a couple of powerfully executed scenes to back it up.

French family drama with strong performances but rather too much abstract philosophizing and strange continental angst for me.

None of these characters are very interesting