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Summary: A black comedy set in 1967 and centered on Larry Gopnik, a professor who watches his life unravel when his wife prepares to leave him because his inept brother won't move out of the house.
It was a gas. Once again, the common man is knocked from pillar to post by forces unforeseen and unknown. It is sort of like watching a pathetic animal being tortured and probed while more and more children gather around to delight in it's predicament. Never in your life would you think it possible for such cosmic sadism to be so appealing. It continues to baffle me how the Coens somehow manage this theme with such finesse and nihilistic splendor. "SIGH, Just look at the parking lot, Larry! :)"
I don't think I've ever seen a comedy touch on theological problem of evil in a better way. The film absolutely refuses to offer any easy answers and that alone is an accomplishment. But I also think that the film provides a fairly good response to tough theological problems (why do bad things happen; what is God saying to us?, etc.) Impressive film.
A Serious Man rejects the bland Jewishness of Judd Apatow films; it's similar to the black filmmakers' project in Next Day Air, in which social stereotypes get burlesqued, yet are used to reveal an essentially moral exercise.
A characteristically strange atmosphere, coupled with an odd-ball presentation style make this a curious watch. Amongst the chaos of the inept, troubled lives of these people (especially the protagonist, whole life literally unravels around him) we build some kind of loose affection or empathy. It doesn't matter how worse you think life can get, it can and will get worse if you let it.