I couldn't connect with the character because of how ultimately irrational the plot is. If he's already in the position to kill himself, why does it matter what happens to the body? Why does he seek anybody's help to begin with? As for everything else, it's meandering and doesn't offer anything new. I didn't like it.

The dialogue in Kiarostami movies is dry and direct in a very unusual way.

So well rounded addressing Badii's fear without ever bringing it up too obviously, looking at people's reactions and their attempts to stop him, capturing his desperation yet ever so subtly. The ending of the story is stunningly handled and haunting, though unfortunately the film undoes its power with an epilogue scene that breaks the fourth wall and in doing so undermines the emotional struggle Badii went through.

I liked the concept, but the execution of it didn't really work. It's a half hour script (45 minutes at the most) bloated to fill an hour and a half.

Maybe the biggest fog or maybe the great view...me don't know..

Love the patience of this movie, and the many tender, quiet moments. At the end it reveals itself as a celebration of life, and it all left me in awe really.

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