Bresson's first feature contains several passages of his unique, visually-oriented poetry, particularly in his attempts to show identification between the two leads. The redemptive narrative arc fits in well with Bresson's early career, even if he relies on dialogue more here than he does once his style matures. The depth, fluidity, and mise-en-scene of the final sequence surprises in its impact, which is considerable, a result of a masterful talent honing his craft.

bresson without his unique style is boring

12 by virtue of making Bresson's subsequent 12 films look especially masterful by comparison

A very interesting debut from Bresson which is surprisingly full of life considering his later work. Ostensibly a film about nuns in a convent, Bresson uses the setting to show a variety of very human character traits. I've got to admit I kind of missed Bresson's unique style, although there were many small glimses of it throughout the film. Still, whatever the film lacks in visual style it more than makes up for with deep and compelling characterizations and a great story.

Bresson's first feature film, and all about nuns, so I figured it wouldn't hold my interest. But it turned out to be quite a compelling story that covers a lot of ground.

Bresson crafts movies to the point that almost escapes any level of criticism. I feel no different with his debut.

Contrary to what you might expect from a 1943 movie about nuns in a convent, Les Anges du Peche is fast, intense and gripping. It is perhaps the best-written movie I've ever seen; nearly every line of dialogue teems with moral and emotional insights; explored with great wisdom are themes of duty and individuality, sin and redemption, love, jealousy and resentment, pride and shame. I am not sure if ever there was as forceful a feature debut as Bresson's.