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Summary: Three best friends attempt to escape their suburban boredom through a life of crime. But these bickering, bumbling thieves are no match for the local "godfather" (Caan) who leads them into the biggest heist of their careers. (Sony)
I think this is Wes Anderson's (as well as the Wilsons') finest hour. Funny, charming, and melancholy enough to stick with you well after the credits have rolled and warrant repeat viewings.
A touching dramedy of a grown-up child; the metaphor is great. And though it's mostly a comedy, towards the end, especially, it turns into something rather heartfelt and sad. The brothers are perfect.
I like this film mostly because it is the precursor of the future indie-comedy genius of the two Wilson brothers. It is entertaining in the quirky, smug, deadpan way that I love, but the director's point of view is not entirely developed yet. Good, but surely not great.
Had to make a pause during this movie and did not even bother watching the rest of it. No attraction. No appeal. Nothing happens. Wes Anderson's movies are so weird. I love some of them, I don't care about the others.
As a devout Wes Anderson follower I loved this movie as it showcases his film in a much rougher setting than we are used to with his more recent flicks. The Wilson brothers are never better than when directed by Anderson and they are wonderful in this. If you have never watched an Anderson film before I would suggest starting with The Royal Tenenbaums or Rushmore before this one, but all fans of his should watch this as it is quite simply one of the most delightful movies I have seen.
It may be an earlier and far more juvenile work than his later pieces, but Wes Anderson's Bottle Rocket still has all the signature charm and beauty you'd expect from an Anderson film. The quirks and are less evident, the humor less subtle, but what's here isn't diluted, rather it's simply a bit easier on the viewer's sensibilities. It's funny, touching, and its characters are endearing. A definite recommendation.