The story is a bit hooey, and the characters have the inexplicable ability to be in just the right place, at the right time, to advance a plot that seems to revolve only around them. Still, the choreography is remarkable in places (when it's not overwhelmed by too many people in the frame), and it's still FUN despite its flaws, as all Shaw films seem to be. The Saul Bass-inspired credit sequence is, naturally, inspired.