Somewhat of an odd genre mixture, with the most noirish parts being the awkwardly introduced flashbacks and characters who don't have much depth but still manage to be pretty free of caricatures. To me, though, it all came together so well, especially in the second half, that all of its problems were easily overshadowed.

A very enjoyable, tense prison movie. The ensemble of characters was terrific, each lending his own unique personality to the mix. Especially great was Hume Cronyn. What a memorable character. The scenes of secret planning were great, and the climax was fantastic. I really liked this one.

Above all a femmes-fatales-bonanza!

Fun, hard-nosed prison film Dassin. It's at its best when it sticks to the promise of its title - Cronyn is surprisingly great as the deceptively malicious guard, the "prisoner's justice" dealt to rat is an effectively taut and suspenseful scene. When the film wallows in pity for the poor schlubs via melodramatic flashback, it becomes far less compelling - fortunately these do not dominate the film too much. The climax is pretty thrilling, as well.

Burt Lancaster was a gorilla. He was the finest, most talented gorilla of all time. Hume Cronyn was a fish. He was the scariest fish of all time, unless sharks are considered fish. (fuck a nautical.)

About as fine a Hollywood Hays Code prison movie as I ever expect to see. All characters are sharply delineated and believably human. A cinephile my age is used to seeing Hume Cronyn as an old man, but here he is quite a (re)discovery as the disgustingly oily villain. He reminds me of Rick Moranis as Dark Helmet

The fantastic, explosive ending saves a sort of mediocre, all-over-the-place prison film that can't really decide what psychological direction it ultimately wants to go in.

Excellent acting and great camera work.

Uneven prison noir that's infused with visual style, but promotes it's message rather clumsily. Inmates are never fully realised, with contrived flashbacks and stilted dialogue failing to add depth, love interests awkwardly wedged in. Captain of the guards (Cronyn) scenes of sadistic menacing are great and Lancaster displays presence despite average dialogue. Dassin's lighting and wonderfully staged action scenes are what elevates this, the final confrontation brilliant in it's execution.

Pretty good prison genre flick, done with a lot of Dassin's noir style but falters in a few areas. Despite a delightfully evil performance by Hume Cronyn as the sadistic chief guard, the character is rather over-the-top. Also the prisoners are such a nice bunch of guys, one would think that nobody deserves to be incarcerated. The flashbacks to their romantic lives on the outside were really hokey. Overall, however, not a bad movie at all, and easily watchable.

Brute Force is ABAP baby

Generic, contrived, naive, still decent but nothing exceptional.

Moments of tense brilliance and a nicely realized aesthetic are undermined by an all-over-the-place narrative hampered by flashbacks. The film a little too easily lets the audience side with the prisoners (as mentioned in other comments, these are the nicest group of inmates ever!). Still, with a performance like Hume Cronyn's and Juels Dassin's style, this is entertaining. It's just not up to the level of the director's best work.

Pretty good. So is Lancaster, if not on top form. The film belongs to Hume Cronyn who relishes his memorable role as the sadistic Munsey. The breakout attempt at the end was nicely done.

Excellent cast, with especial standouts being Lancaster, Hoyt (who looks surprisingly impressive without a shirt btw) and Bickford. And of course Cronyn, nicely low-key at first, complete with SS portrait and Nazi hat. The backstories actually did work to flesh things out, despite the cumbersome possibilities inherent in such interruptions. The only thing I found a bit fudgy was the warden's sudden resignation.

lancaster is pretty great, i find cronyn's character to be generally unlikeable at the beginning and so is set up badly for the evil person he is made to be at the end. if this movie had more plotting and breaking out time and less flashbacks and down time it would have been pretty good. i dont know about the whole message at the end though, it seems to be saying, "SUBMIT!!!!SUBMIT!!!!"

Above average prison noir with an excellent last act.

Despite unevenness in character development and some cringe-worthy flashbacks, this is a a well-constructed, intense, & violent prison flick with a climax that makes you both groan and cheer -- I had no idea I could be so disappointed & satisfied at the same time.

It's good, yes, but not great. The middle, including the men's women, is trite and boring. But the villain is thankfully given a little depth, and the climax is brilliantly staged.

A gritty, industrial kind of film with a not yet so pessimistic Dassin directing in a competent, if perhaps not fully developed way. His signature visual flair is apparent, however, and some of the prison settings really bring out great opportunities for a unique look in this noir. At times the whole thing can get a bit hokey, most notably during some of the romantic flashbacks, but it's still totally worth a look for anyone interested.