Terrible dialogs and plot, but at times it's so bad it's good.

06 Nisan 08, 16:00, emek sinemasi sira5, koltuk24, 27.istanbul film festivali & !!! festivalin en iyi filmlerinden biri.kesinlike mukemmel kurgu, oyunculuk, senaryo ve yonetmenlik.kacirilmamali! sarsici, tokat gibi bir film! bir kadinin asirlar boyu tek basina ayakta kalma cabasi...feminist bir film.kizin intikamini alma sekli ve sonrasinda caddede yuruyusu unutulmaz.

Like several of Medem's films, covers themes of identity, subconscious, sex, and the female gender, in a way which is somewhat incoherent but not completely displeasing. Ana's transglobal, transtemporal and transcorporeal journey was interesting material, but some of the secondary characters were just annoying (and incomprehensible!) Probing, poetic, and a little perverse.

mostly good but that ending is terrible

the paintings I saw while watching and the daughter-father realtionship trying to be explained was awsome. the girl was very beautiful before hair cut.

Medem is a director with both visual flair and ideas, but in this case the ideas were poor, and the film descends deeper and deeper into a morass. Even though the title character is rather unlikable, the viewer may just be willing to go along with the increasingly silly plot in order to see how things turn out. Unfortunately, the conclusion is abysmal. Compares very unfavourably to the thematically-related von Trier movies, "Breaking the Waves" and "Antichrist," and Aronofsky's "The Fountain."

Fragmented, unreasonable, illogical stories of perception Medem have been forming are getting better with every try. Ana is quite colorful in many aspects.

Was this the sequel to Southland Tales?

50 bile çok ya neyse... ozenti, sanat-sevici, feminist hatunlara gelsin.