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Summary: 1700s Venice. He was the legendary adventurer whose amorous dalliances would go on to inspire countless lovers throughout the centuries. She was the most virtuoso writer of her time who was waiting to find that rare man with a true understanding of steadfastness and passion. When Giacomo Casanova (Ledger) discovers Francesca Bruni (Miller), he met his ultimate romantic match, succumbing to the only woman ever to refuse his charms -- until he could prove himself to be one man worthy of her romantic ideals. (Touchstone Pictures)
Starring: Sienna Miller, Jeremy Irons, Oliver Platt, Ken Stott, Lena Olin, Charlie Cox, Tim McInnerny, Helen McCrory, Heath Ledger, Omid Djalili, Stephen Greif, Natalie Dormer
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Ratings
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It owes a lot to Shakespeare in Love, but Ledger's Casanova and (surprisingly) Miller's Francesca are an absolute joy to watch, boosted by an absolutely stellar cast of supporting characters and an intelligent, well thought-out and suitably raucous script. Irons's hammy villain is a down point, sure, but otherwise this is an absolute pleasure to watch.
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This movie would be okay, if you do fancy this kind of movies. Hallström did candy looking story and I was not in it at all. Shooting was time after time also fine, but for Ledger they did not leave much to explore. He did best he could. Ken Stott was nice to see, Jeremy Irons not. The end was like from The Benny Hill Show.
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Oh what a large stinky shit this movie is
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Good, but a little overdone, and the goodness didn't extend to the end.
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Visually stunning, with an excellent original score and excellent synchronization of the music with the characters. Further, the film manages to capture the pacing and mood of a genuine Shakespearean comedy, complete with literary contrivances and ridiculous yet hilarious twists. The script borrows liberally from The Merchant of Venice, and this works extremely well. The style, cinematography, colour and pacing are just right. Nothing like Shakespeare in Love; way better actually. Great film.
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"Nothing short of a complete stylistic and thematic renovation would improve Hallström's tediously conventional treacle." - Nick Schager
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#00s#, story, (dir Hallstrom), (casting)
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