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Summary: A young boy's (Oliveira) mother is killed in front of Rio de Janeiro's Central Station. Homeless and with nowhere to turn, he is reluctantly befriended by a lonely and cynical woman (Montenegro). Resisting her initial impulse to make a quick profit off the child, she commits to returning him to his father in Brazil's remote Northeast. The trip becomes a quest for their own identities: one boy's search for his father, and one woman's search for her heart. (Sony Pictures Classics)
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The main protagonist in 'Central Station' is, actually, Brazil itself. Never I have seen a film in which a country and it's modern-day culture speaks so vividly throughout the film, and by this merit alone 'Central Station' is a great film. The story itself, while it can be quite oversentimental at parts, is moving and charming (despite it deals with quite brutal themes). Montenegro is excellent in her role, and Oliveira is really good as well. A beautiful film.
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O famoso filme pra gringo chorar, recheado de todos os clichês narrativos possíveis, utilizando de simbolismos e alegorias óbvias. É a prova de como é difícil fazer um filme retratando a pobreza e as dificuldades Brasileiras sem cair na mesmice.
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Funny yet tragic, sad yet uplifting, and one of the best films of 1998. [ Full Review]
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