Gorgeously enigmatic. Is Roberto practicing a subversive form of revolution, or is he insane, or is he simply unbound by societal restrictions? Ferreri never tips his hand, and the ambiguous ending leaves no sense of resolution. Are the Robertos of the world doomed, and if so, is that such a bad thing? Begnini has a natural charm and rapport with the children, even when his behavior makes you uneasy. I'm a bit at a loss as far as interpreting this film, but I'd love to see it again.