Nuri Bilge Ceylan may be a great director, but i find this film just boring, sorry.

"I can only speak for myself, but I couldn't tear my eyes away from this Euro-art train wreck." - Keith Uhlich

Nuri Bilge Ceylan's follow-up to Distant is similarly languid, and more artsy than art. You don't have to wait long for an interesting-looking shot, but you could wait quite some time for it to end.

Ceylan's style does appeal to me, but I didn't like this one quite as much as Distant. The film is terrific at establishing a pensive mood of disillusionment and slowly exploring the characters. There's some incredible images and even some nice bits of humor. But the analagous use of the weather seemed really obvious. And after a while the film seems to meander... not that the scenes themselves aren't important to the narrative, just that you start to gradually care less and less.

good movie

findik, bahar, muzikli kutu, minibus

A beautiful, contemplative film about a completely self-absorbed and controlling professor, and the rocky, on and off relationship with his emotionally vulnerable girlfriend. The film works hard to solidify the man's domineering, selfish status in a variety of compelling ways.

Probably the prettiest film in HD yet, it shook me pretty hard, even if I didn't identify with the male character very much. He seemed like an asshole, and I had no idea that he was the director and something of an egoist in real life, but it was pretty easy to pick up on through his performance. From her first scene, the mistress absolutely dominated the film, and the final lie from the man to his wife about said mistress was made even more powerful because of it.

Boring.

12 Ekim 09. & baharin gelmedigi hatta belki de isanin kalbinde hic olmadigi film. sonda bahar kaybolur * yok olur ve film boyunca iklimler arasinda dolanan filmde hic bir zaman 'bahar' gorunmez.

"iklimler"