Coherence

Took a little bit to get started and there's a few plot points you have to just accept in order to fully enjoy it. Once it did get going, I thought it did a great job at keeping things moving. Really fun sci-fi plot with practically no budget. Sometimes it's obvious that lines are ad libbed since there wasn’t really a script, but I think that helped the film for the most part.

The themes of the film require the characters to behave like stupid, self-centered dickheads which, while I can see what they were going for, makes it a frustrating watch.

Its has a too much unnecessary talk. First 40 minute is a little bit rubbish.

I really loved this movie. It needs a PTPM counter (plot twist per minute), if you are up for not eating popcorn, but your fingernails instead (ok don'really do that) then watch this movie.

Good movie to keep your attention. Definitely a weird little twist.

It starts as a very bad horror B-movie and slowly turns into a good sci-fi thriller. I think some of the explaining could have been a lot more subtle, but maybe the intent is to slide from obvious and expected to confusion. Also, I'm not a fan of the quite predictable ending. In the end, the concept is interesting, and despite the many flaws of this movie, it stays very enjoyable for a fan of the genre.

Bills itself as "Part cerebral sci-fi and part relationship drama"; in reality it's a psychological thriller-cum-somewhat cerebral sci-fi with some relationship drama tacked on. For all of the latter's flaws, the intriguing premise is toyed with intelligently and remains gripping enough throughout to more than make up for it.

Carruth's Primer but unafraid of being an actual movie over merely an academic dissertation with a pocket change budget. The interpersonal conflicts ultimately do feel too minor though and don't quite integrate, thus the characters are more guinea pigs, but the unpredictable and layered writing makes you a guinea pig too as you skitter the maze so it works as an experience despite its shortcomings.

This movie plays with cause and affect. The characters are done well in that they are all distinct from each other and mostly consistent with themselves. Seemingly unimportant lines will foreshadow things to come. One might feel that the "rules" of the scenario presented to us are too open-ended. The viewer is unable to unravel the logic of any given plot thread. We can see the chain of events, but are prevented from knowing our place in them. We are, intentionally, as lost as the characters.

Here's the sort of film I should like, so-called "reality" with a mind-bending sci-fi twist (see Primer, Cypher, Triangle), but it's so ineptly written that I can't get behind it. You get the feeling that the writer was struck by great ideas and images early on - the problem is that he has linked them together in such a hasty, myopic way. Compare and contrast with David Lynch's Blue Velvet, in which inspiration was more successfully tempered with structure.

A very solid, tense sci-fi thriller.

Largely carried by the premise, below average camera work and editing.

The direction of this movie is more than my psyche can handle. There is so much to keep track of, that it's almost naseau-inducing. But the beauty of this film is that it did not cause me to vomit - but drew me ever closer to the screen. The acting is so-so and the camera work ebbs and flows. But the physical acting from some of the cast are well beyond what is expected. It's a weird and thoroughly enjoyable ride. But above all, the idea of the movie never gets beyond itself.

Smart lo-fi, "sci-fi"-ish thriller. Byrkit used an objective-based method for creating scenes—very little dialogue was actually written. Rather, actors were given specific ending or starting actions and then had to organically react to the situation at hand. The acting isn't noticeably different than other films, but it is realistic and perhaps coaxed better performances than a standard screenplay would have.

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