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Summary: A profile of Ian Curtis (Riley), the enigmatic singer of Joy Division whose personal, professional, and romantic troubles led him to commit suicide at the age of 23. (imdb)
I don't know that there's a lot to be learned as far character study goes. Surprising as far as biographies go but it is a story about a great band, an interesting man (child) and the performances are very effective.
A non-fan of Joy Division might not find this nearly as good, but for me, this was a spine-tingling experience directed with skill and restraint by Anton Corbijn. A triumph.
Marginally more interesting than a typical Oscarbait biopic, especially visually, but it ultimately fails its attempt to capture the liminality of Curtis, and he doesn't truly show up as a character until the last quarter. At its heart (especially given the source) it's nearly Debbie's movie anyway, and Morton delivers as always, with nice performances from Riley and Kebbell too. Ultimately, it may be that Curtis didn't have enough content in his life to sustain this particular type of focus.
Ian Curtis remains a mystery to me. Sam Riley acted terrific, but Corbijn directed 'Control' with too much respect for Curtis himself which made this movie flat, lifeless, superficial and dull.
One of the most pretentiously self-satisfied films I've ever seen. Corbijn seems to think that showing "what really happened" is the height of artistic endeavour. It's even in black and white. Seriously.
Control is a look at the life of Ian Curtis through a series of gorgeous photographs. The photographs just happen to be moving. It seems that at any moment of Control, you could take a still image of it, and it would make a great photograph at any moment. Now there is a major problem with Control. We never really have a emotional connection with Ian Curtis. But how or weather or not you feel anything about the characters, it won%u2019t stop you from being taken away by the visuals.
Just not that good. I only know one Joy Division song, and maybe that didn't help. But surely the film should be accessible to those who don't know the music. It wasn't. I was hoping for a "Walk The Line" type attempt, but it just wasn't there.
Beautiful to look at which will helped during a slow start and some emotional scenes which weren't as powerful as they should of been. Sam Riley nails the role in a fairly bleak film. Maybe its the source material but there doesn't seem like enough happens in the two hour running time. Decent.
If you're not a fan of Joy Division, you probably won't like this movie. Even I didn't like it the first time. Second time, I loved it. Directed by photographer Anton Corbijn who used to know the band