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Summary: An eccentric man aged about 40 lives alone in a decrepit house in Tokyo. He periodically transforms into a giant, about 30 meters tall, and defends Japan by battling similarly sized monsters that turn up and destroy buildings. The giant and the monsters are computer-generated. (imdb)
So I survived a Japanese stab at the mockumentary genre. While it gets props for indulging in weirdness of the extreme kind, it's attempts at jumping between genres proves it's downfall. The universe that Matsumoto is trying to create feels unfinished, and too many questions go unanswered for anyone to derive anything even remotely logical from the story. The deadpan mocku-humor often falls flat, and the monster bashes are too many - too simular - and for Kaiju worshippers only to enjoy.
Outrageously pokerfaced parody of ultraman style monster movies. It's not unlike Godzilla done in the style of This is Spinal Tap. Little strokes of genius abound like the strangling monster's comb over.
This movie gets points for unabashed and sometimes hilarious weirdness, but the realism it achieves in so many of the scenes only accentuates the fact that most of it doesn't make any sense at all. The ending, while amusing, felt like the director had no idea how to bring the character to any kind of conclusion. I feel like I was missing some very big piece of information, maybe its all one huge japanese in-joke.
"Weird for the sake of weird" is a descriptor I toss around a lot, and while it may seem cheap and dismissive, the fact still remains that it fits here. Maybe a lot gets lost in translation and a larger repertoire of Japanese cultural references is required to eke any more enjoyment out of this one than I did. The CGI fights and the ending are hilarious in a "what did I just watch?" sort of way, but otherwise approach with caution, even if you dig Godzilla, Gamera, Ultraman and their ilk.
Either it should've been played straight throughout, or been more of a parody. As it stands, it is neither comedy not drama nor mockumentary, and it feels 30 minutes too long as well. However, the bizarre elements are highly enjoyable (despite, or thanks to, the somewhat crummy CGI) and the concept is pretty neat. Making the fantastic into something mundane has a lot of potential, not all of which has been used here.
I want to give this a higher rating for its uniqueness, but it really feels like two movies: bad-CGI kaiju-geki weirdness, and a great mockumentary interview film. They don't mesh. And I was turned off by the former until a fantastic deus ex machina obliterates the 4th wall at the end. You can't be too angry, just confused.