Three acts equally good as one another. The final act and moment of film is obviously the strongest but a well weighted film none-the-less. Lots of great character moments throughout that raised morale despite in what is an anti-war piece. Probably the most important film to come from the Australian New Wave .

The longest 95-minute film I've ever seen. It's like having an uncle that takes 95 minutes to say something that can be said a paragraph.

Excellent performances, technically flawless.

Typical anti-war film, sad, realistic, not wrong, not really enjoyable.

I watched this many times growing up, can't remember much now except war sucks

With the long-delayed arrival at the Gallipoli battlefront, things finally pick up. The plan of viewing these climactic events as if through the innocent eyes of the rookie soldiers has inspired Weir to become bristlingly observant and inventive, and it results in a highly watchable last couple of reels.

Very good. The only things that diminish it are the acting, which isn't that great, and the music. Otherwise, it's a potent war film.

gelibolu, 1. dünya savasi, mümkün olmayan saldiri, türkler, avustralyalilar, anzac (iki anzac askerin hikayesi etrafinda sekillenen film. %u0130kiside atlet oaln gencler ve geliboluda savasmaya karar verirler. ilk kisimda yasi tutmayan atletin askere gitme cabalarina ikinci kisimda ise misirda ve geliboluda yasadiklarina yer verilmis. Türkleri asagilayan bir yeri yok. Hatta avustralyalilarin aptalliklarini anlatiyor.)