Lewis's first movie in a decade, not counting the aborted The Day the Clown Cried. This one itself hardly seems a finished and polished and publicly presentable piece of work. Plenty of the gags in it could be transplanted in old Lewis movies without positively contaminating the surrounding material, or sticking out from it in sore-thumb manner, although most such gags tend to be duplications of, or variations on, old material anyway.