#645

A loosely-connected smattering of barely related clips and really bad video effects, with Godard occasionally muttering something meaningless. This kind of free-association essay format can be interesting, and occasionally Godard nails an intriguing transition, but most of the time you're just wondering where he's going with all this. Answer: eh, nowhere in particular. The best thing is that it reminds you of better movies that you'd like to see again, without all the surrounding nonsense.