While I'd argue Ophuls interviewing style has changed for the worse since The Sorrow and the Pity, taking on a more aggressively biased and somewhat snarky tone, the story of Hotel Terminus and Barbie is so incredible that it captivates for the entire four and a half hour running time.

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#673

With The Sorrow and the Pity, Marcel Ophuls proved he could make a 4 hour documentary about WWII that's compelling and watchable. Here, he proves he can make one that's dull and confusing. The film goes on endless tangents, and it's all exceedingly difficult to follow for anyone not already familiar with the events and major players. Ophuls also presents himself as a Michael Moore-ish figure, obnoxiously badgering people, pushing his agenda, and trying to be funny.

Pretty amazing a four-hour documentary can grip you by the throat most of the way through; some characters are simply not as interesting as others, and Ophuls is incredibly annoying when he is onscreen. Otherwise, this should be essential Shoah/doc viewing.

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