Made just after Dillinger Is Dead, this isn't quite as inscrutable, but is still intriguing. Wiazemsky and Margine are both good, and there's some interesting stuff done with the soundtrack. Ferreri loads the film with symbols and striking images. He touches on several themes (feminism, fascism, consumerism) and although he really just flirts with these issues, he provides some stuff to chew on. I kind of wish there was a little bit more to it, but it's worth watching and maybe re-watching.

ok, i KNOW i've rated this already