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Summary: Back from a holiday in Spain, Lili, 19, finds that Loïc, her twin brother, has left the house following a row with their father. She disapproves of her parents' apparently light attitude and is particularly shocked by her father's reluctance to even talk about the event. Lili desperately waits for a phone call from Loïc but her brother shows no sign of life. It is not long before Lili falls into depression and her condition quickly deteriorates. (imdb.com)
Gosh, Melanie Laurent - very pretty, but do you have to cry all the fucking time, in all your fucking movies! You Annoy the shit out of me. Who the fuck taught you act like that, Meryl Streep! Apart from you Melanie Laurent, this actually was a descent feature.
Doesn't have a great scene or a truly memorable moment that makes it stand out from the millions of other family dramas that have come out before and after it. It's a quick watch and often enjoyable but lacks with its predictable story. But it's worth seeing for Melanie Laurent and of course Melanie Laurent getting naked.
I have a crush on Mélanie Laurent. As for the movie, a very nice script with a couple of memorable characters (even though it definitely gets a little over the top right by the end). I would say the directing could be a little more... enthusiastic. But it's not like it was bad or anything.
Wow, another French jewel in family dramas... Although the movie was a bit slow even for my casual taste and had some problems establishing the plot - especially the Lili's love of her brother; I absolutely loved the way movie developed. And the twists and turns, unpredictable yet even more sad coupled with a good cast make it even beter.
Electrifying. The mystery is somewhat predictable, yet trenchant in its insights into the opposed and strained forces within a family and within the individual. It's natural without hinging on naturalism. The actions, responses and emotions all ring true in a way that you seldom encounter in the cinema. "Je vais bien..." shares many qualities with the later Claire Denis movies, while being less artsy (and also less interestingly shot), but also more realistic thanks to this restraint.