London's immediate impact comes in a gritty, thoughtful story, told over a single night, that unpretentiously ruminates on life and love, the cumulative effect one of unassuming profundity - that which renders it one of the best romantic films of last decade. Juxtaposition (of past to present, the cast's roles to types we associate them with) is key to the way Richards invades heart and mind, his pristine portrait a noble thematic cousin to Smith's Chasing Amy.

"Richards recognizes and exploits Evans's beauty, self-reflexively using it as a red herring." - Ed Gonzalez

i loved the dialogues, i know the film is about no essential crisis or anything but is acted well

60.500

the only jason stetham movie where he's not a serious bad-ass, that alone sets it up to be interesting, but not quite memorable.

Nothing special and downright stupid a lot of the time. It tries to be philosophical a lot but just fails miserably and Syd is one of the most annoying characters I've ever seen. Pass on this.

Great film.

A beautiful twist on the cliche love stories with deep conversations, beautiful aspects of love and a reality that hurts a bit. Like it should.

I liked this. Does the boy get the girl? See it and find out. I deserves a bigger audience.

Good, Emotional, Personal story of Love, Loss, and Misery.