"The love affairs of the film's characters aren't merely expressions of fluid sexual desire but an acknowledgement of the interconnectedness of human life." - Ed Gonzalez

Honore really imbues the film with lots of life and vigor, even as the characters struggle with grief. The consistent use of music helps in that regard, as well as Honore's camera, which moves with great freedom, shooting the action from what seems like every possible angle. I find the story resonates less with me, if only because I find its expression of identity confusion too lightly or shallowly treated for the direction it goes.

This deconstruction is daring and should be intoxicating; but, instead, what Honoré brings to the movie-musical genre doesn't improve upon its past bold experiments.

A fun, interesting, perhaps thought-provoking film. I loved the soundtrack.

Really poor musical homage to the French New Wave.

Quirky with a great soundtrack.

I definitely loved this film. Its breath-taking originality and lovely melodic musical numbers contrast nicely to the heavy themes of grief and sexual experimentation among youth. It raised many questions on the idea of love versus sex and how we often prioritize one over the other, just to get what we want or think we need.

Fun and polyamorous with some decent songs on top. I'm liking Louis Garrel more and more.

Love shown as a reflection of sorrow. It's a long walk of discovering you own voice through the broken mirror of grief.