George Sanders and Lucille Ball are always fun to watch, and there's a very amusing/creepy minor role for Boris Karloff. If the film has a significant flaw, it's that the tension gets turned on and off like a faucet, and there are several stretches without much menace at all. But it is sufficiently engaging for the most part with some nice noir lighting. Also a homosexual subtext for the killer is never overtly hinted at, but it's an intriguing angle to ponder.

Great movie. Awful title.