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Manhattan
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Manhattan

1979
Romance
Comedy
1h 36m
Your probable score
Avg Percentile 70.93% from 5024 total ratings

Ratings & Reviews

(5024)
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Compact view
Rated 04 Jul 2020
92
98th
Possibly the most romantic film of all time - a black and white New York landscape set to the tune of 'Rhapsody in Blue' - that still manages to be true to the difficulties and pain of intimate relationships (and with the trademark Allen humour). To me this is the most Allen of Woody Allen films. Hemingway is perfectly cast in her role, a young counterpoint to Keaton and Streep.
Rated 18 Aug 2007
59
31st
gay
Rated 02 Mar 2009
88
80th
Creepy but great dialog
Rated 15 May 2019
62
43rd
Manhattan lacks the flair and freshness of Annie Hall. Being in a general sense a similar movie sometimes it feels like a distant relative but mostly only as a wimpy cousin that is on your nerves all the time because of neverending complaints. Does it capture the essence of Manhattan? Cant' say. What it does clearly capture though is a limp train of thought that even a superb cast (with the exception of Allen himself) could not steer to anything tangible.
Rated 01 Oct 2008
75
54th
Prelude to catching VCR. Woody Allen yakked quite a bit in the film, but it was enjoyable on the whole.
Rated 02 Jan 2011
86
69th
Woody's most gorgeous film, maybe his best; has an emotional accuracy that's both hilarious and heart-wrenching. It's certainly the best acting Woody's done; though recognizable, he feels like a real person, not a caricature. Keaton's fantastic, and Hemingway's quiet, intermittently heartbreaking performance grows on me more and more as I consider it. I'm not an NYC enthusiast, so the love letter aspect doesn't speak to me, but it doesn't detract either. Great, truly meaningful use of Gershwin.
Rated 30 Dec 2012
89
89th
Woody Allen in top form.
Rated 16 Apr 2010
83
94th
Saw this as part of my Screen Language Course and was impressed. Never seen a Woody Allen film before, though the mix of artistic direction, story (which in some aspects is quite controversial) and humour makes it a very enjoyable film. It isn't overdramatised either, it has an honesty and realism about it for a contrastingly dishonest world. Suitably, the cinematography shows off the city of Manhattan honorably but not overwhelmingly.
Rated 09 Jan 2013
75
49th
Extremely well made, but I never found it quite as good as a lot of people do.
Rated 16 Jul 2011
98
81st
Allen fan here, great allen here
Rated 12 Mar 2011
100
0th
His best
Rated 06 Jun 2016
85
50th
Annie Hall tem diálogos melhores, mas gostei desse também. Lindos sorrisos.
Rated 26 Jun 2007
90
79th
One of the best opening monologues ever.
Rated 12 Jan 2009
75
20th
All the elements of Allen's style are in perfect balance. There's the jazz, the neurotic, unsympathetic lead; the choice between stable and highly-strung women, the self-mocking humor, the railing against intellectual snobbery, the deep unease with popular culture. Allen and Keaton are great again. Too many sour story elements left a bad taste in my mouth for me to compare Manhattan to Annie Hall, Allen's best work.
Rated 12 Jul 2016
100
97th
Incredibly moving- this film somehow creates something epic and universal out of a very small, very insular story of convoluted romances, through the use of montages of New York set to Gershwin, gorgeous black-and-white imagery, heck, Allen and Keaton wandering through an exhibit of a Planetarium, the universe literally surrounding them. It's a wonderful experience, much recommended (I mean, of course, I gave it the highest grade I've ever given on this site). Special notes to Mariel Hemingway
Rated 28 Aug 2013
84
41st
I'll mark this one for a rewatch. I enjoyed the cinematography and music but didn't really connect with the film as a whole.
Rated 10 Apr 2017
88
64th
Woody Allen and Diane Keaton are great together. But I like Annie Hall more.
Rated 23 Aug 2012
90
53rd
A brilliant send-up of Manhattan pseudo-intellectuals, set in a time when Manhattan still entertained hope of harboring intellectuals of any stripe.
Rated 14 Aug 2007
100
95th
My favorite Woody Allen.
Rated 18 Jul 2009
60
18th
it's sloooow as hell
Rated 04 Apr 2008
91
85th
Love the black and white, love the Gershwin music; the dialogue and plot is a little bit weaker than Annie Hall though. Still, both films together represent Allen at his apex.
Rated 14 Aug 2007
90
71st
Woody Allen's best, no matter what anyone else says.
Rated 09 Apr 2010
90
97th
I adore this and it's currently fuelling my current Woody Allen love.
Rated 10 Sep 2012
91
87th
91
Rated 27 Oct 2012
9
86th
Oh, its just so very New York isn't it?
Rated 06 Aug 2008
80
51st
Wonderful to look at, hard to stomach.
Rated 08 Oct 2016
74
50th
You have to suspend reality and enter Woody Allen universe, where everyone speaks in steady microbursts of philosophical reflections and musings. But if you want an intellectual trip, it's enjoyable. Brilliant flawless cinematography, especially the rain and museum scene. The B+W highlights NY's contours nicely. He seems to extend his personality into other characters, leaving them flat in some way. There's a nice authenticity overall though, probably because he models the film on his reality.
Rated 05 Mar 2009
100
91st
Enhanced with a lovely score of old favorites and graced with equally loving shots of New York City.
Rated 27 Apr 2010
90
87th
Though I prefer Annie Hall because it has poignancy while delivering a laugh a minute, Manhattan is still a wonderful film with some touching relationships, spectacular NY vistas and some fantastically funny lines. Would probably increase my score for this on second viewing.
Rated 21 Sep 2008
90
91st
I like when things are hilarious, but don't have to be so obvious about it. The "Van Gock" bit was great. So much dialogue, but all of it was relevant. Great cast. I liked the gritty feel that black and white gave it. Overall, I was very impressed.
Rated 22 Sep 2009
90
61st
A very good character study.

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