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Summary: Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them. (imdb)
One of my favorite Hitchcock films. The main characters are really interesting, the mystery is intriguing, and there are surprises throughout. The use of color (and not just red) is impressive.
i have to give it to hitchcock for cooking up such a strange movie. it's overall enjoyable, but there is really not much here in the way of awesome hitchcockian entertainment. seriously, though, how the heck did he get his hands on such unique scripts?
One of Hitchcock's finest. Hedren delivers an extraordinary performance. Connery is very good in support. This is Hitchcock at his most elegant and restrained.
Highly frustrating. Oddly enough the film becomes most engaging when Sean Connery's character starts acting horribly, although it's Sean Connery doing horrible things so it's not much fun to watch either. What worried me was that I wasn't sure whether Hitch was condemning or supporting the character. Oh yeah, and the rear projection is painful, and Hitchcock stinks at psychology.
i loved this movie which many have derided as the point where hitch started "losing it"....i would fix that moment with his next film, torn curtain. however, with marnie hitchcock is still in top form. great performances all around especially from connery, hedren and baker. a great "triangle" in the hitchcock tradition. baker was the revelation for me and was perfectly cast as the all too eager to help sister in law. in spite of three screenwriters, there are several scenes with stupendous d
"Viewed from the safe distance of four decades after its release, Marnie, perhaps even more than The Birds, emerges as the director's definitive late-period masterpiece." - Fernando F. Croce