Summary: In Naked Spaces: Living Is Round, Trinh T. Minh-ha expounds on the themes of postcolonial identification and the geopolitical (and social) apparatus of disempowerment in Reassemblage to create dense, thoughtful, and articulate ethnographic essay film on indigenous identity, the impossibility of translation, and architecture as cultural representation. The prefacing image provides a terse, yet incisive encapsulation of Trinh's recurring preoccupations. (Strictly Film School)

Country: USA

Directed By: T. Minh-ha Trinh

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