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Summary: Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for the Maas Corporation. Fox has accepted an offer to persuade Hiroshi to go over to the Hosaka Corporation. Sandii is a little Italian girl from Japan and she should be the way to get to Hiroshi. X is the man who should train Sandii to break Hiroshi's Heart. But if X falls in love with Sandii? And if the Hosaka Corporation breaks the agreement? And if Sandii is not a little Italian girl? (imdb)
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Ratings
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User |
Score |
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gnep |
47 |
T5 |
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lchaussard |
90 |
T7 |
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Crazy Jack |
50 |
T3 |
| na |
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Meta Critic |
31 |
T1 |
| na |
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I.L. |
78 |
T8 |
| na |
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AICHE |
69 |
T4 |
| na |
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Vertiggo |
10 |
T1 |
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Argh...
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| na |
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frg |
10 |
T10 |
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adrian |
5 |
T1 |
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DNF
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Jos |
84 |
T8 |
| na |
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igorboka |
100 |
T9 |
| na |
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PubliusD |
50 |
T1 |
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St. Gloede |
50 |
T2 |
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excowboy |
36 |
T2 |
| na |
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bernardobrum |
95 |
T10 |
| na |
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fabiovisnadi |
92 |
T8 |
| na |
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tomatometer |
19 |
T1 |
| na |
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RNG |
50 |
T6 |
| na |
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yesistasty |
71 |
T3 |
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Formless and detached.
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| na |
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CrazyJim9380 |
77 |
T5 |
| na |
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jcdracula |
1 |
T5 |
| na |
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snallygaster |
76 |
T8 |
| na |
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rampagez99 |
80 |
T4 |
| na |
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negative |
3 |
T8 |
| na |
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coltrane |
4 |
T5 |
| na |
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madderroot |
66 |
T7 |
| na |
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wanted |
80 |
T8 |
| na |
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cthululaw |
70 |
T3 |
| na |
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NRM02 |
27 |
T1 |
| na |
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TreyAtwood |
58 |
T3 |
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New Rose Hotel: 7 // 6 // 9 // 8 // 2 // 7 // 2
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| na |
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johnatanjj |
95 |
T10 |
| na |
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renokunz |
87 |
T8 |
| na |
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matty5190 |
86 |
T8 |
| na |
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andymalafaya |
20 |
T1 |
| na |
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Matthew |
80 |
T8 |
| na |
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24truths |
70 |
T5 |
| na |
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cpreview |
1 |
T1 |
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It's not cyberpunk, mkay? No, truly, it's not!
Yes, it was based on a very good cyberpunk short story written by cyberpunk Godfather, William Gibson, Yes, New Rose Hotel is on most every list of cyberpunk movies you can find on the internet, some of which are only 10 movies deep,
Yes, this movie seems to be a throwaway mention in about half the cyberstudy reviews of modern cyberpunk movies. Please trust me here this is NOT cyberpunk. These people are lying to you.
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| na |
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phil- |
97 |
T10 |
| na |
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radhaz |
83 |
T4 |
| na |
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Sagremore |
75 |
T8 |
| na |
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L.u.d.a |
90 |
T6 |
| na |
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Amadeus |
27 |
T1 |
| na |
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CMQuinn |
3 |
T1 |
| na |
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piahoo |
78 |
T7 |
| na |
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pedro . |
100 |
T10 |
| na |
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ecalder |
50 |
T3 |
| na |
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allisoncm |
62 |
T5 |
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Really good and really bad at the same time. The interactions between Walken & Dafoe are priceless.
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| na |
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DancingP |
27 |
T1 |
| na |
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Moribunny |
33 |
T2 |
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Not remotely Ferrara's sleaziest or trashiest effort, New Rose Hotel belongs to a more ambitious phase in the director's artistic development; even so it is quite possibly his poorest. The corporate espionage in the backdrop of Dafoe and Argento's forbidden love story is supposed to provide it with intrigue, and yet the flat characters of the lovers and the cartoonish futuristic business-scheming only complement each other in the level of boredom they induce.
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| na |
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B-Side |
80 |
T8 |
| na |
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JJJames |
96 |
T10 |
| na |
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Pierrotmss |
85 |
T7 |
| na |
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marrie86 |
50 |
T8 |
| na |
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anseiodviver |
80 |
T8 |
| na |
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lucbapt |
96 |
T10 |
| na |
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theguest |
73 |
T9 |
| na |
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Andreas |
67 |
T8 |
| na |
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rottentomat |
19 |
T2 |
| na |
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Jerky |
30 |
T2 |
| na |
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finney28 |
70 |
T7 |
| na |
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cloak |
82 |
T10 |
| na |
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Beageal |
60 |
T1 |
| na |
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coot |
56 |
T5 |
| na |
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Bandy |
75 |
T6 |
| na |
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blackthorn |
63 |
T4 |
| na |
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abdullah gul |
31 |
T1 |
| na |
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viniciusjn |
94 |
T9 |
| na |
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alive75 |
87 |
T9 |
| na |
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ari |
35 |
T3 |
| na |
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Christophilm |
95 |
T10 |
| na |
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avgcrtckr |
54 |
T5 |
| na |
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JooJoo |
5 |
T5 |
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One part amazing, one part meaningless. Walken dazzles but leaves much too quickly.
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coutinho |
95 |
T10 |
| na |
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danieldebem |
91 |
T10 |
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KasperL |
20 |
T1 |
| na |
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Oedipax |
90 |
T8 |
| na |
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billkerwin |
65 |
T1 |
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An extremely ragged and self-indulgent film punctuated with a few flashes of genius. Not worthy of William Gibson or his short story. Not even worthy of Ferrara.
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unusuall |
47 |
T2 |
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lionesque |
75 |
T8 |
| na |
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olebole |
6 |
T4 |
| na |
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lazynick |
10 |
T1 |
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filmaffinity |
51 |
T3 |
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bosc |
60 |
T3 |
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AlleyLights2 |
43 |
T2 |
| na |
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1197mm |
99 |
T7 |
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unrecorded |
65 |
T7 |
| na |
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hremanruss |
65 |
T3 |
| na |
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jakartan |
72 |
T8 |
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Leland |
90 |
T9 |
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Gregzilla |
30 |
T1 |
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cinebaixar |
88 |
T9 |
| na |
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miss jesus |
89 |
T10 |
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As weird as you would expect for a Ferrara/Walken/Dafoe collaboration set in The Sprawl, but still easily the best Gibson adaptation to date. Ferrara handles the problem of presenting The Future with no budget by creating an exotic atmosphere and making the film seem very international; it works. Overall, a very dramatic, very sexy film with a unique style. I'm a fan. Dafoe does the silent scheming and suffering perfectly.
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try |
80 |
T7 |
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Deadmarsh |
40 |
T1 |
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MaXCoDeR |
10 |
T1 |
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JakeAesthete |
86 |
T8 |
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oguzhaners |
50 |
T2 |
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dequinix |
40 |
T1 |
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flowing |
77 |
T8 |
| na |
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peepee |
70 |
T6 |
| na |
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getuliomarx |
100 |
T10 |
| na |
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mistercheech |
92 |
T10 |
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i heart asia argento
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| na |
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Veterini |
84 |
T9 |
| na |
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nrm4 |
55 |
T4 |
| na |
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filmcricket |
24 |
T1 |
| na |
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felipetschuk |
86 |
T8 |
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cinema_hell |
85 |
T8 |
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Grouchy |
78 |
T4 |
| na |
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Nichololas |
30 |
T1 |
| na |
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maddaddy |
95 |
T9 |
| na |
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LiQuid3600 |
10 |
T1 |
| na |
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johnnyjb |
70 |
T1 |
| na |
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zezim |
95 |
T10 |
| na |
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Ufkabakan |
85 |
T5 |
| na |
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boxgod |
77 |
T8 |
| na |
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NRM01 |
54 |
T5 |
| na |
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TheMantidMan |
70 |
T8 |
| na |
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burflok |
63 |
T4 |
| na |
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CoinQuatro |
50 |
T4 |
| na |
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NRM03 |
69 |
T8 |
| na |
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lesrallizes |
84 |
T7 |
| na |
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ZombieBuffet |
50 |
T3 |
| na |
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luismomm |
87 |
T8 |
| na |
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ruoja |
40 |
T2 |
| na |
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aaronwhat |
90 |
T8 |
| na |
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Karakand |
5 |
T1 |
| na |
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Zoltan |
55 |
T3 |
| na |
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jsommersby8 |
2 |
T1 |
| na |
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paris1919 |
71 |
T5 |
| na |
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onetwothree |
70 |
T9 |
| na |
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matheusc |
100 |
T10 |
| na |
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Rozno |
90 |
T8 |
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Yet another film that grossly under-uses John Lurie
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| na |
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winds |
7 |
T10 |
| na |
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ze_qualquer |
80 |
T9 |
| na |
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hazelhawks |
9 |
T1 |
| na |
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Sgabriel |
55 |
T3 |
| na |
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Dreamer |
70 |
T3 |
| na |
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andagh |
97 |
T10 |
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One of the most underrated movies ever. Christopher Walken is awesome.
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| na |
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imdb |
41 |
T1 |
| na |
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inhmn |
99 |
T10 |
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the one and the only cyberpunk adaptation. i love the whole feeling from Gibson's books adapted for the screen - the corporations in shadow, the lonely love in world of steel.
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| na |
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Cronos |
60 |
T6 |
| na |
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rafaelbastos |
85 |
T8 |
| na |
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never1and |
30 |
T1 |
| na |
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LuizOliveira |
97 |
T10 |
| na |
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e-ball |
50 |
T2 |
| na |
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Mike DAngelo |
27 |
T1 |
| na |
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KAH |
3 |
T7 |
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There are moments when Ferraras anti-aesthetics and randomness meet and create something that almost feels profound, but all in all it is a bit too messy.
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| na |
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IMDb-byvotes |
42 |
T1 |
| na |
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ddaiane |
97 |
T10 |
| na |
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girlvirus |
5 |
T2 |
| na |
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lyrradsemaj |
69 |
T5 |
| na |
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Clark Nova |
99 |
T10 |
| na |
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barbarrett |
90 |
T10 |
| na |
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Danilolopes |
90 |
T8 |
| na |
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RadioFreeLee |
48 |
T2 |
| na |
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scurry |
55 |
T7 |
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A near-future erotic fantasy and an embarrassing industrial sludge of bad acting (Asia Argento), voice-overs, juvenile romance and an extremely uneven pedestrian/surveillance video aesthetic, but sometimes a light shines through of William Gibson brought to life and everything cheap, fake and throwaway suddenly becomes exotic and beautiful and I can't help be drawn to it like a fly to a fly catcher. Certainly crafted more from feeling than thought, very lacking but easy to watch semi-conscious.
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| na |
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lethe |
65 |
T4 |
| na |
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twisp |
85 |
T9 |
| na |
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erwit |
50 |
T2 |
| na |
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Limdebois |
50 |
T2 |
| na |
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Carlospro |
90 |
T10 |
| na |
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naeim |
75 |
T1 |
| na |
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purity |
1 |
T4 |
| na |
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antitype |
80 |
T8 |
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This was really good, but not quite as great as I'd hoped for when I saw who was involved. Altogether flawed, with moments of real genius and sexy style.
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| na |
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Filipe |
100 |
T10 |
| na |
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trench |
20 |
T1 |
| na |
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LmanofMGS3 |
78 |
T1 |
| na |
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hoolie |
20 |
T1 |
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