A masterpiece from a time when "Hail Satan!" didn't make one giggle. Mia Farrow is a horror movie icon and Polanski's subtle storytelling is captivating.

Creepy.

When I take back one kadam, it's because 'Rosemary's Baby', whilst probably very scary for it's time, has dated a bit. It's a thinking man's horror, suited for anyone who prefers eeriness over shock. Great acting helps Polanski display his amazing talent for making people seem uncomfortable. Supposedly set up so that it can be read as Farrows character having a mental breakdown... But I say fuck that! He has his father's eyes! The year is one! Hail Satan!

The scenes in between the action are provocatively tense, and help to draw the viewer into a bizarre world that is wreaking havoc on Farrow's Rosemary. The film is, perhaps unintentionally, a parody of spousal abuse and sexism, made all the more tragic by the way Rosemary wastes away throughout the it, becoming a shadowy wreck unable to handle the unnatural difficulties of her personal life, who ultimately gives into the difficulties of the world around her.

Fabulously paranoid and claustrophobic, awkward in a way kind of like of being next to someone infected with flu. I know, i'm biased, but this movie somehow happened to shape my whole perception of cinema - a medium focused on allowing you to be as close as possible to cute organisms in trouble.

Chilling horror from Roman Polanski.

Great film but I can't understand why Rosemary didn't just leave. Maybe it was the time period. I would've gotten my ass away from those people.

Interesting idea and does feel very creepy but just kinda boring after all. The ending was a big let-down for me too.

A brilliant film with excellent cinematography and incredibly thoughtful mise-en-scène; the "unreliable" soundtrack also help to enforce the naked insecurity already forcefully haunting the images.

One of the best suspense movies out there, so classic too!

great