73.375

The film succeeds despite its manipulative, third act plot twist. Stage Fright bares the Hitchcock stamp with its dry wit and clever cinematography, raising it above the average murder yarn.

I found this rather dull, and lacked pretty much any semblance to Hitchcock's "trademark" touch.

It's a good movie with good plot and splendid performance by Alastair Sim but it's, probably, all I can say about it. Just a relaxing project for Hitchcock I guess.

Not top tier Hitchcock, but as a film about performing both on stage and in real life, it's definitely quite underrated. Could have used a stronger central plot, but it's far from bad.

It is still a good film but is one of Hitchcock's weaker titles overall, but there is one great plot twist at the end and a great performance from Jonathan Cooper and Alastair Sim. It's worthy of a viewing, but it might let down those expecting another Hitchcock masterpiece.

Flawed logic (showing a lie on screen), but succeeds in audience manipulation (Hitchcock's pleasure) - and in that case it is a success. In Hitchcock's grand oeuvre, this is a dud, but for any other director, it's a watchable, entertaining film.

I think I like it more than most Hitchcock fans, but I put this amongst his best because I think Marlene Dietrich is so good and the ending was so unexpected.

This movie is infamous as the case where Hitchcock "cheated". (You'll know it when you see it.) I think it's worth seeing anyway

Certainly not on a par with Hitchcock's classics, but quite watchable and entertaining. Hearing Marlene Dietrich sing "The Laziest Gal in Town" makes Madeline Kahn's performance in Blazing Saddles even funnier.