Bergman's segment "Daniel" is basically just home movies of his infant son. The most interesting part is when he reads part of an unused script over it, but otherwise it feels like a throwaway effort. As do most of the other sequences. Gustar Molander's "The Necklace" is the standout. The ironic ending is incredibly predictable, and it's hard to see what the story has to do with the overarching theme, but the performances are solid, and it looks like Molander at least put a little work into it.