Boring and silly. Watching Mena Suvari try to channel a stereotypical ghetto girl was just embarrasing. Skip this trash.

I love Stuart Gordon..and I love the story..but some of the movie to me tried so hard to be funny and controversial.and it came across as flat...though some of the movie was fun enough...

The horror of the event is lost with such an absurd screenplay, but there were enough funny moments to keep me entertained.

Sharp, relentless feature that demonstrates that killers in horror films don't need chainsaws or machetes to be scary. A complete lack of empathy, endless self-delusion, utter self-absorption, and idiotic behavior can cause just as much havoc. The film is well-paced, without too many implausible moments, and it also has some nice dark-humor, as well. It's still a bit simplistic both in outlook and story structure, but I was still impressed with Gordon's accomplishments within these limitations.

Slow to start but once the foot hits the gas it never lets up. A Hitchcockian effort from Gordon in the best sense. Only thing really holding this back is Suvari's fluctuation between believably intense to ham-fisted cornball. I'm willing to cut her some slack though. Strongly Recommend.

Very decent suspense movie, that sadly has a few small that, while not breaking the movie, do diminish it's effects quite a bit.

"Gordon shoots his material's descent into grotesqueness (of both a physical and ethical sort) with jagged briskness that amplifies his scenario's mordant humor." - Nick Schager

Top badass moment? No contest. It has to be Tom. Even after the day from hell, he's still got more humanity than most of the rest of the characters put together. 0 cats and 0 decapitations. There is a dog in it though, which treats us to possibly the most icky scene in the film. Yum, yum!

Genius. The opening credits sequence is too on-the-nose absurd, but keep watching because it becomes a misanthropic social comedy of the highest order.

71.250

It's no surprise that Gordon handles the squeamish bits really well & the profound lack of empathy shown by Suvari towards Rhea feels as disturbingly real as it should. However, Gordon takes some misguided turns in2 leftist anti-authority bashing that feel false. Since the film's core is based on such a loathsome act, it's glib 2 connect it 2 everyday power plays. There's also 2 many attempts at black comedy that fall equally flat & the tonal shifts r just 2 jarring 2 work as a whole.

totally brilliant, one of gordon's best.

Wouuv, its better than expected. Also the story is horrible, like hell!

Interesting. I'm still on the fence about Stuart Gordon's new approach to filmmaking.

All of human are a little bit evil, some of them are more evil than others.

"Stuck" deserves more than goofball antics thrown into a taut, sharp-edged plot. Characters are often stupid, but Stephen Rea as the victim does well for drawing us in and making us care. Suvari also succeeds at being so very inhumane that we literally hate her. But the movie could keep things tight and edgy, and it sadly doesn't. Rea's attempts at escape only prove frustrating with the passerby's around him and the movie relies on too much improbability. For DTV material, it's okay.

A pretty good job by the cast in this very simple story. Mena Suvari was so easy to hate, along with her boyfriend and I felt nothing but pity for Stephen Rea's character. The movie had some strange moments of humor that kind of worked, but the horror of the situation really created some tense moments, Movie does get a bit slow and it does get a little boring, but this still deserves a watch.

A very satisfying outing from Stuart Gordon. Loosely based on the real-life case of the nurse who hit a homeless man and left him impaled in her windshield in her garage for days, the film differs enough from the source so as to provide a satisfying conclusion. Stephen Rea is pretty great in this, quite a feat when you consider half of his time in the film is spent stuck in a windshield; I can almost forgive him for starring in shit like V For Vendetta.

The characters felt like actors, and usually when that happens, the film goes down the tube.

Serviceable B-movie schlock horror with atleast an original premise if not execution.