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Suspiria
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Suspiria

1977
Horror
1h 32m
Your probable score
Avg Percentile 63.26% from 3441 total ratings

Ratings & Reviews

(3441)
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Rated 06 Jan 2016
80
84th
What an insane film; plot and sense take a back seat to a lurid riot of colour, noise and death. The use of contrast, bold colours and carefully staged shots coupled with an overbearing and weird score (WITCH!) give the film a peculiar, hallucinatory feel. Pretty much every character in it is a mental case as well. There are some creepy and gory moments, but this is more surrealism than slasher. A quite rewarding, confusing and unique experience.
Rated 09 May 2016
100
97th
One of my favorite horror films of all time. A hypnotic blend of bright yet lurid colors, arresting music, amazing cinematography, fairy tale logic, and some truly terrifying moments. Certainly not for everybody, but man, was it ever for me.
Rated 30 Jan 2012
85
94th
The colors, the wonderful beautiful colors. This is what happens when a giallo goes supernatural.
Rated 12 Oct 2008
10
98th
Aka.: "A Not Really That Short Film About The Aesthetic Possibilities of The Kill". Even though, granted, that title is none too catchy. Makes no sense, but - luckily - doesn't need to. The colours, compositions, angles, cuts, lines and the music, oh the music, all create this eerie atmosphere, where you get the sense that anything and everything might happen, will happen.
Rated 17 Nov 2008
75
52nd
The use of lighting was irrelevant and somewhat annoying. The plot was nearly non-existant. It does have an actually scary part (rarely do I get scared in movies), but you have to sit through an hour and ten minutes of crap to get to it.
Rated 12 Nov 2014
93
99th
Delicate beauty combined with extreme violence while conventional logic gets ritualistically murdered. Achieves a decadant nightmarish atmosphere through meticulous staging, creative camerawork, staggering lighting & a demonic score by Goblin. This amounts to one of the most stunningly original, feverishly engaging & perversely beautiful horror visions ever committed to celluloid. Pure surreal expressionism that blurs the line between creativity & delusion, expressing their power over reality.
Rated 01 Dec 2018
89
88th
One of the gaudiest, luscious, lustiest pieces of cinematic tension ever made. I guess there's a plot somewhere, but it's really a story of sensation: every character is a possible menace, every frame askew, drenched in neon or(/and) blood, and all of it a threat. It's easy to forget in the kaleidoscope but Jessica Harper's resilient yet strangely vulnerable performance is equally arresting. Rarely do films make the world as Other and hostile as this.
Rated 01 Nov 2010
84
68th
Good grief, the lighting. Enough to turn a small town into a psychedelic nightmarescape. There's a lot of cheese, but also moments of subtle brilliance, like the perfectly timed disorienting effect of panning across a circular room with an ultra wide angle lens. It didn't scare me, but I'll be damned if I wasn't intrigued. If Wes Anderson ever decides to make a horror film, I hope he watches this first.
Rated 29 Oct 2012
5
91st
I love how little Argento cares about his own plot - a fun-but-slight murder mystery - and how little he knows we care, too. So many resolutions and loose threads are left dangling, but we're not here for the story, we're here for the mood and style - namely that created by Argento's eye-popping use of color. The splashes and floods of different hues - electric blue, lime green, bold yellow, and of course, bright blood red - are the real reason to watch. It's a feast for the eyes.
Rated 09 Dec 2018
77
62nd
...Total Witch Hunt! No Occultism!
Rated 27 Nov 2008
65
33rd
argento starts the movie with all kinds of atmosphere and doesn't let up. the colors, imagery, set design and camerawork make for an incredibly stimulating visual journey. there are some shocking death scenes and some creepy moments but overall there is much more ambience than substance to the story - and i really don't mind that at all. suspiria makes a perfect mood setter for a scary movie night.
Rated 09 Oct 2009
80
86th
The film looks, and sounds, incredible. Argento treats us to a real vivid and rich colour palette throughout this film in his choice of set and lighting and some very clever and well constructed shots. However even the kindest viewer would have to remark that the plot and dialogue are sketchy and a handful of naff scenes; the bat and Udo Kier's exposition spouting senior colleague spring to mind.
Rated 17 Jan 2010
80
84th
Argento's films are more concerned with tone and horror atmosphere than actual plot and pacing. Suspiria is a classic example of Argento and probably his best film where he hits all the right notes.
Rated 30 Jul 2010
92
98th
Such a fun and absolutely insane film, with many brilliantly creative shots and sequences. Only hampered by its awkwardly abrupt ending. ***2014 EDIT: The ending rules, what the fuck was I thinking?
Rated 12 Jan 2012
76
70th
Starts off extremely strong but along the way it turns into something quite silly. Still, I really enjoyed the atmosphere, the bright colors and the garish locations. The soundtrack, though often a wall of noise, was pretty awesome as well.
Rated 18 Aug 2013
84
90th
Truly a beautifully paced and shot RGB -- yep, colored in red, green and blue -- horror movie that isn't really about telling a nice and effective witch story, but creating the feeling that we are seeing a weird diabolic scenario we don't clearly understand -- but that looks frightening anyway in its cinematic creepiness of colors, lights, shadows, sounds and walls that don't make any sense, because fear (and terror) doesn't really make any sense.
Rated 04 Nov 2014
96
99th
Yes, the acting is 'wooden' (except Alida Valli) and the plot is 'weak', but the atmosphere and style alone are enough to render this visually stunning horror film as Argento's magnum opus. Just let yourselves get lost into this fairytale; the haunting score, the blue and the red paints will eventually drift you away. A masterpiece of film history, independent of genre, an eerie feeling in your hearts and a stylish wonder within an utterly bizarre movie that resembles no other.
Rated 04 May 2021
80
77th
Goblin and Tangerine Dream duking it out over who does the moodier soundtracks for cult 70s/80s hits. The lighting in this movie is gorgeous and my eyes are still bleeding from the colours, I am pretty confident I’m the first person to notice this. The story is dumb but who cares when it’s this slick. Suspiria is an experience. The special edition DVD set came out on September 11th 2001. There are people out there when theres the never forget speeches think of Suspiria first.
Rated 09 Feb 2007
94
93rd
The beautiful colors mixed with the brutality of the deaths makes for incredible images.
Rated 14 Aug 2007
76
58th
Marvelously stylish, perhaps his most visually dazzling film. Just about every shot is a feast for the eyes, bursting with vivid colors. The score is terrific, with a very memorable main theme. And the movie is genuinely horrifying at times. But it has some truly awful dialogue. There are some decent performances from the leads, but much of the cast is lousy. The film gets very silly and there's a number of plot problems. But overall the film gets points on pure style and atmosphere.
Rated 16 Apr 2009
5
44th
The good: the set designs are incredible, the camera work is amazing, and the use of colors is stunning. the bad: the acting. oh god, the acting is so fucking bad. This should be screened at acting schools on how not to act. Seriously, who reacts to a bat that way? Also, the dialogue is beyond horrible and I was laughing more than I was scared (which was never by the way...I thought horror was supposed to be scary not comical?). Cool music, very meh ending.
Rated 21 Sep 2010
72
51st
Naturally, the film is florid and ridiculous and, for all the dread Argento tries to instill into it, almost impossible to take seriously. It's also striking, especially as Argento plays with bold, colorful lighting effects, bathing his images in vivid tones that prove more unsettling than the murkiest shadows. The creepiest element of all is the clamorous soundtrack by the Italian rock band Goblin. It sounds like the kind of thing the devil puts on when he wants to relax in his hammock in Hell.
Rated 27 Jan 2011
86
93rd
Contains some of the best use of sound, color, and frame to create atmosphere that I've ever witnessed. And although the plot isn't the strongest, the entire film is so stylish and well directed that whatever it lacks in complexity it makes up in cohesion. Suspiria is a wonder to look at and maybe even more pleasing to the ear. Pure, unadulterated glass candy.
Rated 11 Mar 2012
60
51st
Somewhat stylish but mostly stupid.
Rated 25 Aug 2013
84
82nd
The film could've had a more climactic ending, and I didn't care for the all-over-the-place sound mixing, but I wouldn't change much else. The film has a dynamite score and cinematography that I don't think I'll ever forget. Jessica Harper made an absolutely incredible leading lady.
Rated 22 Jul 2014
78
95th
It's like it's a totally conventional giallo structure, and then distilled into complete expressionism-- its narrative unfolding almost entirely in emotions and awesome kitsch atmosphere. Fucking excellent.
Rated 22 Sep 2016
80
79th
Violence and horror are external and contrary to the logic of routine which is the base realism. Fear and fantasies about it have no better soil than the realm of dreamy exressionistic images and the erotic impulses of youth. Argento combines red blue and green in a masterful and grandiose style where you enjoy cinema for its own sake, great stuff.
Rated 14 Aug 2007
70
63rd
Lush and psychedelic, this movie looks great, but is kinda hollow. Weak plot, super eye-candy.
Rated 08 Jan 2008
84
92nd
A terrific assault on the senses!
Rated 04 Jun 2008
82
67th
This is incredibly reliant on cheap tricks, a maddening score, shock kills, creepy ambiance, etc. and yet it works exceedingly well. The film's visuals are incredibly striking with superb use of color, stark set design and disorienting camera angles; they alone are reason enough to watch.The rest is not great but also never bad enough to detract, the acting is competent and believable, the supernatural plot is thin but effective and the splatters of blood just the right mix of fake and shocking.
Rated 31 Oct 2008
2
33rd
Visually stunning. The sets are well-designed, the art direction near flawless, and the rich crimson and soft blue lighting really sets the mood. After the first ten minutes I was ready to have my socks knocked off. But it's all style and very little substance. The plot is fairly dull and uninspired and several times I had to resist the temptation to fast forward to the next murder set piece. I give it high marks for its aesthetic value and soundtrack, low marks for everything else.
Rated 19 Feb 2009
15
9th
What a piece of crap. Seriously. Eat some mushrooms if you want to experience this. Or, eat the crap that the mushrooms grew on. Either way, it's better than this movie.
Rated 03 Mar 2009
75
88th
Suspiria is possibly Dario Argentos greatest film. It's beautiful to watch in that it has surreal sets, creative lighting, vivid colors, and a great soundtrack by Goblin. If you're not used to Argento's style, you may be put off by the many plot holes that all of his movies have. Plot suffers as the main focus here is imagery and atmosphere. The death scenes are stylized and elaborate, and this is Argento at his gruesome best.
Rated 19 Mar 2011
85
90th
Down, down the rabbit hole Suzy goes in Argento's hellish nightmare.
Rated 16 Oct 2011
86
86th
As incredibly beautiful as it is incredibly ridiculous. Kitsch sublime.
Rated 20 May 2013
6
35th
It's amazing how the activity of this school managed to slip under the radar for so long. You'd think its eerie facade, suspicious out-of-bounds location or history of troubled runaways would've given it away but hey...
Rated 11 Aug 2016
63
27th
A rather interesting movie. Dialogs are horrible, acting is hilarious and the plot is as simple as it gets, but, in spite of all this, the movie manages to create a unique atmosphere, mainly due to the eerie soundtrack and excessive use of color
Rated 25 Oct 2016
51
26th
Beautifully colorful sets and lighting can only take a movie so far. The dialogue is atrocious and Argento seems to think that louder = scarier. At least it ends on a high note.
Rated 22 Mar 2007
100
95th
Sort of like an actual nightmare that was somehow committed to film
Rated 14 Aug 2007
88
93rd
One of Argento's best pieces of work. The imagery is hypnotic, and the use of color is amazing.
Rated 14 Aug 2007
75
84th
What little it lacks in substance, it more than makes up for in atmosphere and visual style, and a classic soundtrack by Italian proggers Goblin. Prime Argento, a classic mystery-horror movie.
Rated 14 Aug 2007
80
78th
Stylish, with excellent sets, arts direction, and use of color. In parts,it's genuinely scary. The soundtrack is great.
Rated 13 Jan 2008
90
85th
Weird but extremely atmospheric horror, once of the foreign scare flicks you need to see.
Rated 26 Apr 2009
97
92nd
"Suspiria is a brilliant, unique, and disturbing motion picture. It is not to be missed."
Rated 04 Jun 2009
72
64th
The real star of this movie is the garish art deco production design. Those tulip-framed doorways and the William Morris print wallpaper make me almost wish I was a part of this nightmare, but not really.
Rated 23 Jun 2009
89
81st
The amazing set design coupled with brilliant lighting and sound create a very unsettling atmosphere. The plot is pretty bad, but the amazing aesthetic kept my eyes glued.
Rated 21 Nov 2009
20
4th
I give this film the score I did simply for the great set which must have taken the craftsmen time to build and elaborately decorate.Everything else in this monstrosity is dire beyond the imagination.
Rated 21 Mar 2010
67
42nd
For me this is the film version of "Double Nickels on the Dime"; I have no idea how to rate it and can't decide if I even like it. Probably deserves another viewing, but I think in a way this is everything I both love and hate about the horror genre. Just hearing the word "Suspiria" gives me synaesthetic fits of color and sound, an experience unmatched by almost any other film, but it's such a painfully stupid movie that I shudder at the thought of sitting through it once more.
Rated 20 Oct 2010
40
97th
"There are horror films that scare and there are horror films that quake the senses; Suspiria still rattles twenty-five years after its original release." - Ed Gonzalez
Rated 23 Jan 2011
70
57th
Splendid use of colour and music, attached to a so-so story.
Rated 02 Feb 2012
75
81st
It's a pretty intense film. Very graphic for its time. The set design and the lighting and colours used are amazing and really effective. The music is quite unsettling, which is appropriate. It's certainly an interesting and creepy watch.
Rated 06 Mar 2013
50
93rd
Writing has never been where the appeal of Dario Argento movies lies, it's all about the surreal, nightmarish atmosphere, and in Suspiria that's quite possibly at its peak. The sets are absolutely gorgeous, Argento's use of colors and lighting is amazing, and the soundtrack is overpowering in the best way possible. It's like being lost in a fever dream. (5/5)
Rated 06 Jan 2014
91
97th
I keep watching this over and over again. Which is weird. The plot is HORRIBLE (almost comically so) and some of the actors talk like they are on INSANE amounts of really powerful drugs. Yet: these COLOURS, I never (NEVER) saw anything like this, it's beautiful and entrancing. Also: look at the death scene of the piano player on the empty square. Fuck you every epic war movie ever made, this is how you work with SPACE. Finally: the Goblic soundtrack will HAUNT you.
Rated 21 May 2014
11
99th
Everyone says it but doesn't make it any less true, that intro really is fantastic.
Rated 11 Nov 2014
82
83rd
A great fairy-tale for adults with audiovisually stunning work.
Rated 18 Apr 2015
60
41st
The garish lighting, chilling music and unorthodox camerawork create a wholly nightmarish setting, but the narrative feels unfocused, with next to no explanation for many of the film's supernatural events as well as a rushed conclusion. Argento's focus on style at the expense of story means Suspiria is creepy but never scary, and certainly not as memorable as its reputation would suggest.
Rated 21 Sep 2017
100
90th
The perfect example of how much striking visuals and a penetrating score can elevate an otherwise average film. Absolutely top tier level use of light, color and sound. A strange blend of masterpiece and garbage; Magnetic.
Rated 24 Sep 2017
90
92nd
Seeing the 4K restoration really raises the film. Also, the Goblin soundtrack is SO LOUD in the theatre. The first fifteen minutes of the film is like a loud soundtrack where you can barely hear anything else. Like with other Argento films, ignore the attempt at the narrative, and focus on the ~mood~. Such a beautifully lush, kind of psychedelic, film.
Rated 19 Jun 2018
60
26th
Not sure what the fuss is about. The lighting and colors are crazy, and the music is crazy, but weird doesn't equal great. There are sound effects in the score that no one in the movie actually hears, which bugs me. Sets and camera work are pretty good, though, and the film is mildly scary. I do admit I was entertained, mostly because it's different, not because it's a good movie.
Rated 26 Jul 2018
66
47th
Beautifully lit and shot, stylish and fascinating, but not much depth.
Rated 03 Oct 2018
95
97th
Always heard how gory it is, not a gorehound, screenshots finally got me to see this: I'm glad I did because it's amazing. Such a beautiful and expressive colour palette, brutal when it needed to be but not like I expected. Hang some of these scenes on your wall, it looks that good. Creepy and brilliant music, but then Argento would strip it away suddenly in some scenes and leave the tension of minimalist sound to do the rest. Scary, intense, story is told well with some fun twists.
Rated 18 Apr 2019
60
39th
The scariest thing about this movie ( for me) was the goofy head mistress/ head teacher or whatever position she held The most amazing thing for me was the creative deaths and use of color
Rated 29 Dec 2019
55
22nd
The production design is top-notch and the music and cinematography almost keep pace, producing a terrific atmosphere of imprisoned suspense, but it's the awful dubbing, questionable pacing, and wooden performances instead of the thick tomato soup blood and gruesome screams that make the film hard to watch. The academy is truly an excellent set, though: stylish and labyrinthine.
Rated 07 Jun 2020
82
80th
Grand Budapest (Horror) Hotel
Rated 12 Aug 2020
40
23rd
The film tries to use creepy music to make it suspenseful. It did work in creating a creepy atmosphere, but it didn't really work when it was so heavily relied on. Also, there's some very noticeable dubbing and a lot of the scenes are dragged out way too long.
Rated 02 Oct 2022
93
75th
Really good stuff. I must admit that I wasn’t really all that scared. It’s a very unsettling movie, but it wasn’t until the last act that I legitimately felt kind of scared. Still a really well made film. The color palette and cinematography are as gorgeous as everyone says, and the kills were surprisingly gory. I think the big reveal was mostly pretty well kept, but imagine the climax without that exposition dump halfway through. A bloody good mystery that demands to be seen.
Rated 22 Mar 2007
73
65th
The only times it really falters, is when it decides it should start making sense.
Rated 03 May 2007
90
88th
This is one of the best examples for films which are combining music, colors, camera angle and a dramatic set to pure suspense.
Rated 28 Jun 2007
80
92nd
fucking dubbing UDO KIER!!?? WTF?
Rated 03 Jul 2007
70
51st
Terrific visuals and atmosphere, but that's about all it has going for it.
Rated 14 Aug 2007
80
32nd
I don't really like this guy's movies.
Rated 11 Jan 2008
38
21st
Hollow story, inconsistent soundtrack, and confusing lights. Does a green light mean safety or death? Are the lights even supposed to be attached to meanings? Too much is left unclear.
Rated 18 Jun 2008
23
24th
Loud and flashy, but never all that interesting, or for that matter thrilling. All the characters are annoyingly stupid and take forever to do what we all know they're going to anyway.
Rated 26 Jun 2008
25
5th
I remember being mostly bored with this one. In my household, "Suspiria" has become a verb in the sense that "Google" or "Netflix" has, only instead of as a shortcut for internet searching or renting videos online, it is used to describe whatever process it is that makes terrible Italian horror movies.
Rated 08 Aug 2008
85
95th
Very NIce
Rated 26 Aug 2008
95
73rd
A masterfully filmed, haunting, at times cheesy but most of the time intense, operatic film with amazing psychedelic cinematography. Has nightmare-like qualities. Though the actual gore may seem dated and unrealistic, the murder scenes stay striking and powerful in their creative executions, the first one probably being one of the most intense ever filmed. One of the film's major highpoints is also the wonderful score by Italian prog rock band Goblin. Definetly worth a watch for horror fans.
Rated 27 Aug 2008
87
82nd
Horrifying, disturbing, weird--a high point for horror movies.
Rated 20 Dec 2008
80
81st
What's great about this is the visuals. Story is so-so but it's told in a very appealing manner.
Rated 03 Jan 2009
80
72nd
The movie has a good beginning but then it kinda went into a long drawn out half hour to an hour that kinda bored me. Then it picked up again and I was into it. I scored it on how much it entertained me, but I'm just not gigantic into witch movies. If I were to score it on how well it was done it would be much higher. The music and lighting in this movie was the most fitting I've ever experienced. That music is the kind of stuff that will haunt my dreams.
Rated 18 Feb 2009
5
93rd
"...an appetizer to the thoroughly bizarre world of Italian horror..."
Rated 28 Feb 2009
100
97th
"...a wild feast of imagery that has never since been duplicated."
Rated 06 Mar 2009
85
71st
The most terrifying score I've ever heard.
Rated 27 Apr 2009
85
68th
Interesting and highly visual. Not scary but really atmospheric and off-putting.
Rated 12 Jul 2009
80
81st
I'm not a fan of horror movies. But this one is great. Nice use of colors, interesting camera work and a great score.
Rated 21 Jul 2009
88
87th
Suspiria has it all: a startlingly brutal opening, a unique, unpredictable (for the most part) storyline; interesting characters played by competent actors; one of the best all time horror soundtracks; and the most effective and interesting use of lighting I've ever seen. This is Argento's best film by a long shot.
Rated 23 Aug 2009
45
49th
Great camera work and great color made it one of the most visually stimulating films I've seen, but the rest is so bad. I laughed at the gory scenes because the effects were so awful. Weird acting and dubbing is just all over the place. The pace just kind of mills around; it takes too long for anything to happen, and there's way too many establishing shots. Good thing Harper is easy on the eyes since roughly 1/3 of the movie is just her doing mundane crap like combing her hair and hailing a cab.
Rated 12 Sep 2009
97
40th
I enjoyed this movie but at times the music sort of annoyed me. It reminded me of some sort of "Halloween Party Spooky Sounds CD" with the voice in the background of the theme music. Then as I got used to it I realized that the entire level of dramaticism would not be close to the same if the music were absent or, different. It was very unique! Glad to have seen this.
Rated 03 Nov 2009
70
65th
With a script very idiot, Argento proves his capacity as director, showing that history does not matter, but the way they tell it.
Rated 26 Nov 2009
95
92nd
A halloween treat!
Rated 30 Jul 2010
74
54th
The acting is terrible and the script quite bad. The rest is superb. Vibrant colors, skilled directing and a memorable soundtrack.
Rated 14 Oct 2010
47
43rd
I know it's heresy but I didn't love it, and just to piss off most people reading this: the remake is far superior.
Rated 13 Mar 2011
70
73rd
While my campy-horror spidey senses were tingling, it fell short of solid-gold camp. The first ten minutes were fantastic, and I was left wishing the other eighty were as good. (But props for a great soundtrack!)
Rated 08 Apr 2011
80
81st
My first Argento movie and already I'm a big fan of his style. The scene with the blindman on the square was perfect in every way.
Rated 21 Apr 2011
80
91st
Artful sets and nonsense lighting. That's all I ask for in a movie, and "Suspiria" supplies a very satisfying amount of them.
Rated 30 Oct 2011
40
12th
When I was younger I read a film book that had pictures of the murders in it and I thought, "Why is this considered art?" Somehow watching the film didn't answer my question. Bad acting, rote story, terrible (and way too loud) score. Even the cinematography falters on occasion and throws up terrible color combinations. Fails to create any atmosphere - in the end senseless and tone-deaf.
Rated 01 Jan 2012
79
74th
I got to see this in a cinema in my brief stay in America on a good print so it holds a special place in that sense coming from a country (Ireland) where it's multiplex or nothing for the past few years. Wonderful sense of colour and I adore the music of Goblin, but not really that scary, again that might have been the slightly rowdy patrons, but great fun all the same.
Rated 18 Feb 2013
76
57th
Style over substance in the extreme, but as a horror film Suspiria offers some great stuff - an utterly chilling opening (one so strong the rest of the film can't live up to it), fantastic lighting and cinematography (I'd say a lot of shots here were well before their time), and a cathartic blast of an ending. A brilliant (and very very very loud) score, which highlights the film's sense of creeping tension & skullcrushing noise. The plot plays second fiddle to the wonderful, dreamlike visuals.
Rated 27 Jul 2013
80
29th
Perhaps the most visually striking film I have ever seen; Argento's use of colour is both striking and beautiful and instils a sense of eerie madness that is the stuff of nightmares; additionally, the set design is straight from a kind of manic dreamscape. The music brings on a feverish trance, superbly accenting the visuals on screen. While the story is rather incoherent at times and the dialogue leaves something to be desired, they're easy to ignore as the mood of the piece permeates.
Rated 30 Oct 2013
70
44th
It's hard to reconcile the good with the bad in any reasonable way. The performances are often very weak, the script isn't much better, many scenes seem absurd or add nothing to the film but the combination of the colourful, bold cinematography with Goblin's bonkers score is so surreal and mesmerising.
Rated 21 Mar 2014
85
91st
The plot is pretty whatever - even Argento has done better. But he's certainly never topped Suspiria's astonishing, shrieking combination of color and sound. It's some kind of unwritten law that the less your horror movie focuses on dialogue the better off you probably are. Argento targets his thrills at the senses, not silly reality (or lack thereof) and benefits all the more from it. Plus, it has one of the greatest movie themes of all time and inspired Clock Tower. I trust that reputation.

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