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Summary: From the visionary mind of acclaimed musician Rob Zombie comes the follow-up to his smash hit "House of 1000 Corpses." Written and directed by Zombie, this film further explores the Dr. Satan Cult Murders by blending traditional horror elements with the Western genre to paint a shocking portrait of vigilante justice. (Lions Gates Films)
Rob Zombie's ruthless, yet somehow touching, account on a family of psychos is told in a style that captures perfectly that of 70s exploitation classics and horror flicks (including "The Texas Chainsaw Massacre") and the spaghetti western genre, managing to make you feel its a newly discovered film from that day in age. The film's final sequence set to Lynyrd Skynyrd's "Free Bird" is emotionally powerful in ways you would never expect a film like "The Devil's Rejects" to be.
Zombie clearly adores B-movies like The Texas Chainsaw Massacre as well as batshit-crazy Grindhouse schlock reserved for undiscerning gore fans. The latter was bluntly hammered home by the inferior House of 1000 Corpses yet the sorta-sequel Zombie's concocted in The Devil's Rejects is more clearly linked to the low-budget craftmanship displayed by Hooper in the Massacre films, the result of Zombie's stylish mashup homage is a horror film that ultimately stands on its own two feet.
The Devilīs Rejects is one of the most compromising movies of the last years. Itīs brutality goes very deep.The mutilation and humiliation is matchless compared to other modern horror movies. Zombie made a lot if you consider that he had to manage with little money.
Suprisingly liked this considering I didn't like house of a 1000 corpses;(why?), I think for me it had more charactor detail story made more sence & loved the ending I get so bored with the killers not really dead or one last scare,I loved the fact they knew they we're gonna die & went out in a slow motion shoot out & what a perfect song Freebird, I may never think of that song the same way again
An OK movie...and hey, Diamond Dallas Page is in it! I enjoyed House of a 1000 Corpses a lot more, simply because it stayed truer to the genre. I respect the attempt to make the antagonists protagonists, but Oliver Stone and Quentin Tarantino beat Rob Zombie by 11 years, and did it way better.