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Summary: "The Driver" is specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another succeeded flight from the police, a self-assured detective makes it his primary goal to catch the Driver. He promises remission of of punishment to a gang if they help to convict him in a set-up robbery. The Driver seeks help from the player Isabelle to mislead the detective. (imdb)
Tries really hard to be a city version of Vanishing Point, but Ryan O'Neal just doesn't have the charisma to pull it off. Great car chase scenes though.
The Driver is very good light entertainment, unlike some action movies of its day that are boring. It has very well choreographed car chases, smooth editing, great rhythm, a good cast featuring the outrageously gorgeous Isabelle Adjani and other lookers who can also act. The winding plot is clear and easy to follow, although much of the characters' behavior is contrived and implausible. It's serviceable fun.
Worth watching, however there's nothing that really distinguishes this from any other average crime film. Two great car chases doesn't make a movie good, and the rest of the film is not particularly interesting.
As lean and mean as its biggest progeny, Drive, but with that distinctly 1970s edge. It's not as pulse-raising as some later L.A. crime flicks, but it exudes professionalism from start to finish, and is bookended by a pair of absolutely fantastic car chases. The cowboy flourishes that define O'Neal's titular character seem a bit mannered, but are effective nonetheless. And hey, Ronee Blakely!
A minimalist, chase-filled tale of obsession that appears to be a tribute to the understated but intense crime thrillers made by French director Jean-Pierre Melville.