Penetrating into your soul and at the same time disturbing to get so deeply into someone's else.

Along with The Outsider and Family Nest, this is one of Tarr's early Cassavetes-style films, and I'd say the best of them. The pseudo-documentary feel is taken a step further when the wife addresses the camera at the end (this might have happened in Family Nest as well, I can't recall). It's a very realistic portrayal of a bickering couple who have differing levels of interest in making the relationship work. A little depressing but it holds your attention.