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Summary: New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken... (imdb)
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Ratings
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Flotus |
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ImThatDingo |
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My score isn't going to be completely fair to this movie, on account of me turning it off about half an hour into it. It took waaaay to long of a time getting ANYWHERE! Just too damn slow in building up. I was looking forward to this movie, too.
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Groggykash |
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drosinger |
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bar---- |
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constantinos |
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mutabot |
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patchworked |
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Indy |
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EChing |
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oread |
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tloriley |
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thedeadcow |
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blahzor |
77 |
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Viklas |
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Essgee |
83 |
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bain |
90 |
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florenla |
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nickwin_dk |
47 |
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philim |
33 |
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flippy |
80 |
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sanjuro |
50 |
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mmschwartz |
40 |
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ZAndlamb |
72 |
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april83 |
100 |
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mlingkh |
80 |
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Fortinbras |
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cyberheal |
0 |
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YoYoMark |
79 |
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Sapphire |
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HatAndThat |
90 |
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gse |
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Paddy |
75 |
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Harry Lime |
55 |
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katje_ |
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torgo64 |
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86file |
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theguest |
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monkaholic |
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Nathanial |
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Fetsch |
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Chouinard |
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Darb |
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pcalado |
30 |
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robbbbbie |
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Maxiej |
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luc |
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james0264 |
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Potzblitz |
72 |
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stripey357 |
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Camelman |
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Tony Irwin |
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grsilverman |
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jwalkernet |
80 |
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OMGFridge |
50 |
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danielneamu |
1 |
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tigrre |
64 |
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misterpaul |
90 |
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TrixRabbi |
72 |
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mucow |
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puck3d |
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duthow |
36 |
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susie-mauve |
75 |
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I gotta see the 68 one.
Jawohl!
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RipperChuck |
65 |
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erinmtuttle |
60 |
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KFox |
85 |
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avgcrtckr |
47 |
T4 |
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ranchocarguy |
80 |
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drumly |
78 |
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buser333 |
49 |
T4 |
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rthornhill |
83 |
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Nice updating to a Mel Brooks classic comedy however, I prefer the original.
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jhepburn |
65 |
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frames |
60 |
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zerosummer |
60 |
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lisaandperry |
75 |
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Ununnilium |
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sonyabogda |
65 |
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Janne |
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johnny geo |
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pollardjt |
83 |
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Asian Flavor |
75 |
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julianb |
92 |
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purity |
1 |
T4 |
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moltenuniver |
60 |
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supergil |
87 |
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kevcart4 |
50 |
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seangather |
90 |
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Sonic90127 |
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T3 |
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jbradford7 |
77 |
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salviomari |
60 |
T4 |
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borges |
3 |
T4 |
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spinartre |
70 |
T3 |
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donvanone |
42 |
T2 |
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Maninder |
36 |
T2 |
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spkissane |
85 |
T6 |
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jawnlam |
74 |
T5 |
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Electronic6 |
53 |
T4 |
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AndyHall |
30 |
T1 |
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hbosss88 |
80 |
T2 |
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sherman83 |
50 |
T2 |
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jzrhoades |
35 |
T2 |
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chels859 |
45 |
T3 |
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tielardurdin |
80 |
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stevescrap |
86 |
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shoegays |
70 |
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[[.hobbit.]] |
14 |
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Totoro. |
75 |
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tharizdun |
84 |
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Slavish adaptaion of the stage show, but that counts for a lot.
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BeardMilk |
85 |
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chester1958 |
45 |
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dababyjebus |
46 |
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Ibn Salami |
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arianemq |
50 |
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chriselliott |
75 |
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Nerfer713 |
90 |
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Loara Feix |
85 |
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Darvid |
75 |
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fr0ggeh |
80 |
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ZombieBuffet |
65 |
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marinasdf |
80 |
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Vint13 |
85 |
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RHalpain |
55 |
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BartonFink |
5 |
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RoboScreech |
88 |
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Riprunk |
85 |
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jax_knight |
95 |
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SunnyOctopus |
62 |
T4 |
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ransmovies |
84 |
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ahmetyeni |
80 |
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sprinkles23 |
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Napalm Frog |
10 |
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maddriver52 |
42 |
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amj315 |
75 |
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kranksta |
65 |
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Cute and Amusing, though I hate musicals and Matthew Broderick.
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AJSVXX |
70 |
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sorse |
77 |
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danieu |
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jonnchick |
85 |
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sherreragea |
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weirdyoda |
69 |
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tuuba |
89 |
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HOUND16 |
70 |
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andreaarrigo |
0 |
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nwarren51 |
40 |
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HKi |
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jspencer |
70 |
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jastrup |
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Bo Berry |
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napoleon526 |
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Gonfran7 |
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S_Corleone |
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roleset |
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XakkMaster |
73 |
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kevinjoseph |
60 |
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rainydaygal |
60 |
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Tiak |
87 |
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dahoover |
55 |
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korbenPL |
31 |
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Timon88 |
18 |
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Doba85 |
55 |
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Jessestlr |
60 |
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hroo772 |
74 |
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TJ Ximenez |
40 |
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JJ1986 |
50 |
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theknud |
85 |
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sunamiabe |
59 |
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Gody85 |
18 |
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JawlessJoe |
70 |
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I'm not big on broadway, but if YOU are, you will probably enjoy this
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weezette |
1 |
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Hanne |
55 |
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nmallin |
60 |
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burmashave |
40 |
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SaladMan |
68 |
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The biggest problem in this version of The Producers is that Broderick and Lane's performances are tuned to the stage, not the silver screen. They both look at the camera multiple times, which is rather off-putting on film. The musical film is saved only by the numbers (which are regretably shortened from the stage).
I like to think that The Producers could have been saved if Mel Brooks had actually been more invoved, but fortunatly there are already two incarnations of The Producers with wh
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IamTandeH |
65 |
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Ramb |
20 |
T1 |
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cmahuad |
75 |
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robertrjs |
44 |
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orangezen |
75 |
T8 |
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magnoliakid |
89 |
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prhennessy |
85 |
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kfarber |
68 |
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FakeIdentity |
85 |
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trool |
80 |
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filmcricket |
51 |
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irvinejump |
40 |
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while Nathan Lane's not bad in the role made famous by Zero Mostel, Mathew broderick is NO substitute for gene wilder
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balseiros |
75 |
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Actionberg |
40 |
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dalyn |
100 |
T10 |
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jsopanen |
48 |
T4 |
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Carley |
88 |
T8 |
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captaincid42 |
94 |
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ruloaas |
70 |
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ILIKEPIE |
70 |
T5 |
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Coraniaid |
100 |
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AJD612 |
70 |
T3 |
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mickthemonk |
79 |
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pkd2019 |
73 |
T6 |
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Arnm616 |
85 |
T10 |
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HunterKing |
50 |
T1 |
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calee21 |
87 |
T6 |
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evidently88 |
75 |
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beard_metals |
65 |
T7 |
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cbsmith13 |
86 |
T6 |
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odyssey1988 |
60 |
T4 |
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stevekimes |
70 |
T2 |
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Snatit4387 |
35 |
T2 |
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cult_of_same |
20 |
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Leave the original alone!
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Pootie |
30 |
T2 |
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Canguro |
67 |
T6 |
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Elf |
73 |
T4 |
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tinythedogg |
70 |
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ladyC |
65 |
T6 |
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Nableros |
58 |
T4 |
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lirpa42983 |
100 |
T10 |
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Mephisto |
100 |
T7 |
| na |
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Postage |
80 |
T5 |
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mikey48 |
98 |
T10 |
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drsnowdon |
95 |
T10 |
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sadie |
70 |
T5 |
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lakefxdan |
85 |
T6 |
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Piglet |
60 |
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Works better as a play.
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jacobian |
82 |
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edgreg |
78 |
T5 |
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janus |
85 |
T9 |
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Bobolink |
90 |
T7 |
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maxkracht |
83 |
T3 |
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muaddib111 |
60 |
T4 |
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Circe823 |
10 |
T1 |
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nicster |
65 |
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Lucillevanp. |
65 |
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moss piglet |
4 |
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fichtlm |
65 |
T3 |
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Parmandur |
69 |
T6 |
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Joe_L |
82 |
T6 |
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maduyb |
71 |
T6 |
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ans |
80 |
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ajohnson_1 |
31 |
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Jeff |
100 |
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pulsi21 |
75 |
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Wicker80 |
10 |
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evan85 |
90 |
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Dimentia |
70 |
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It certainly did feel like a stage musical transferred to film, but considering it's a film adaptation of a musical which was an adaptation of a film about musicals (whew) isn't that intentional?
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ooh waffles |
4 |
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kvee |
90 |
T4 |
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jbs5 |
73 |
T1 |
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ltjltj |
68 |
T8 |
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Cerebrus |
35 |
T2 |
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jpb33 |
29 |
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mikedemo |
50 |
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DougReese |
40 |
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