The pacing is pretty terrible, but the film has a strong enough core to overcome it. The inner conflicts of Muller are depicted both narratively and viscerally through some excellent sequences and wonderful use of cinematography. The ending in particular is very effective and almost makes you forget any stumbles that precede it. The stumbles are there, though, in the form of dead spots where the film fails to find a way to engage, particularly in the opening 15 minutes.

There are more striking images than you could count, Alton is such a beautiful craftsman of light and shadow. Likewise, the Kaplan score is excellent. Henreid and Bennett are both very good... not outstanding, but no complaints. As for the plot, it kind of loses a lot of tension for long stretches but makes up for it with strong, moody themes. Most notable is the running commentary on people who live their lives in isolation and/or self-absorption. A thoughtful, engaging and striking movie.

Gorgeous cinematography by the great John Alton and a solid performance from Paul Henreid highlight this forgotten noir gem. The story here requires-- like many noir films-- a suspension of disbelief, but if you're a sucker for films that study duality like myself, you'll find Hollow Triumph to be worth a viewing.