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Summary: A boy shyly watches a girl on a tram. Only when he exits the tram, and its too late, does he realize that he must meet her. (imdb)
AKA: Tramwaj
AKA: Tramway
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Ratings
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| TCI | |
User |
Score |
| na |
 |
OhYes |
67 |
T7 |
| na |
|
SammG |
80 |
T6 |
| na |
 |
viniciusjn |
90 |
T9 |
| na |
 |
catfacer |
90 |
T9 |
| na |
 |
ehk2 |
30 |
T3 |
| na |
 |
SirRobbie |
80 |
T8 |
| na |
 |
MMAlpha |
55 |
T4 |
| na |
 |
Carlospro |
75 |
T6 |
| na |
 |
begoniabol |
70 |
T6 |
| na |
 |
kronstadtli |
70 |
T5 |
| na |
 |
kasator |
40 |
T1 |
| na |
 |
Lone Wolf |
65 |
T5 |
| na |
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Orion16RUS |
75 |
T6 |
| na |
 |
Persona |
70 |
T6 |
| na |
 |
WBadger |
70 |
T6 |
| na |
 |
FitFortDanga |
62 |
T3 |
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One of Kieslowski's earliest student films, a very brief silent about a shy boy who sees a pretty gal on the streetcar. It's too threadbare to make much out of, but it shows an already promising eye for cinematic expression. It's a nice little piece, though rather slight and forgettable.
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| na |
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abcdefgh |
73 |
T5 |
| na |
 |
woodke1235 |
80 |
T8 |
| na |
 |
flowing |
72 |
T6 |
| na |
 |
vsls |
70 |
T7 |
| na |
 |
djemba |
72 |
T6 |
| na |
 |
buak |
70 |
T5 |
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#836 - 02 Eylul 08, 02:03 &
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| na |
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Spunkie |
70 |
T8 |
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Couldn't wash away my grin for sometime after watching. This is about a moment of human interaction we all lived too many times. Once you lose the grab of it, it will keep coming back from the baggage of -what if-s.
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| na |
 |
Bmunise |
93 |
T6 |
| na |
 |
Carlos |
57 |
T5 |
| na |
 |
dharmabum |
71 |
T6 |
| na |
 |
allisoncm |
88 |
T10 |
| na |
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Icarus |
90 |
T9 |
| na |
 |
loureed |
82 |
T8 |
| na |
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bmmello |
87 |
T9 |
| na |
 |
imdb |
61 |
T5 |
| na |
 |
bailarinaeve |
77 |
T6 |
| na |
 |
chewbacca |
80 |
T8 |
| na |
 |
Walterpoa |
65 |
T5 |
| na |
 |
ldsix |
76 |
T7 |
| na |
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NathanDarko |
80 |
T6 |
| na |
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kyle.loomis |
5 |
T6 |
| na |
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whirle65 |
85 |
T7 |
| na |
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ThiagoH |
85 |
T6 |
| na |
 |
alexlma |
9 |
T9 |
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Não é gratuita a minha paixão por Kieslowski. Mesmo quando realiza um curta-metragem simples e despretensioso como esse ele consegue extrair de pequenos gestos toda uma beleza simbólica e juvenil. Nesse filme de amor e arrependimento em ritmo de um jazz tortuoso, Kieslowski já demonstra o seu ponto forte que virá a desenvolver com maestria anos mais tarde: um cinema de olhares, etéreo, onde o conteúdo e significado fica suspenso no ar, nas sub-linhas.
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| na |
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emtilt |
64 |
T6 |
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