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Summary: A newspaper photographer travels to a New Hampshire island with her husband, brother-in-law, and his girlfriend to investigate an 1873 axe-murder of two Norwegian women, in which she finds her own relationships paralleling those of a woman who survived the crime.
Polley and Penn are good, obviously, and the central idea comes through and is genuinely interesting, but Bigelow makes some bad missteps in presenting aspects that you can tell probably worked better in the novel. The music is god-awful, but it's not as bad as Hurley's performance.
Kathryn Bigelow reaches a bit too high, with a jumble of artistic pretentions... there are moments where her Bergman and Antonioni influences show far too prominently. Sean Penn and Elizabeth Hurley trading off meaningful snippets of poetry is just embarassing. Another minor quibble: the movie hints too strongly at a major plot twist, ruining the big surprise. But it's different, or at least more different than most movies, and worth watching for Polley's performance if nothing else.