Enjoyed Robinson's dual role--he does a nice job contrasting his performance from one to the other. Ford makes excellent use of the photography, believably placing the two in the same space. He also includes a couple of solid atmospheric shots for the murder scenes, making especially good use of shadow.

Edward G. Robinson turns in an excellent performance (well, two of them, actually) in a dual role, and for once I've gotten to see a comedy that's reasonably funny. Unfortunately, this is another one of those movies whose entire plot depends on every character in the film behaving like an idiot