"More benign than Three...Extremes and less uneven than Eros, Tickets offers a triptych of slender yet genuine delights." - Fernando F. Croce

Nice montage or triptych, not sure which is the best description, showing how styles can conflict and blend in different ways. All three sections were well done.

All three parts are good.

Omnibus films are problematic. You get the feeling that the directors aren't trying their best. At least these three have styles that blend well together. Olmi's section was my favorite, with lots of unusual edits and flashbacks, and that "tone poem" feel to it. I liked the resolution to Kiarostami's segment, but it took way too long to tell such a simple story. Loach's was rather obvious and over-optimistic. A good film, but it won't stick with you for long.