12 mart 11, pera muzesi & komik, ilginc anlar mevcut ama hepsi bu. belki de kabul etmeliyim ki tati mizahi bana gore degil..

Tati's final M. Hulot film has a weak reputation, but I was pleasantly surprised by it; the first act isn't that good, but it gradually begins to pay off. The country village interlude is exceptionally warm and congenial, although there's an extended gag in the middle of it that was widely criticized for being too cruel (I find it to be one of the funniest moments in the film). The ending is too similar to PLAY TIME, but it's otherwise a lot of fun. And personally, I think that camper rocks.

"Jacques Tati's Trafic serves as a scaled-down but inescapably fitting companion piece to its predecessor, the monumental Playtime." - Bill Weber

Car crash, reminiscent of Godard's!

More delightful Tati. Some of the broader jokes fall flat, but the great ones, the nuanced and subtle ones are a joy to behold.

Elsker den, men bliver også udmattet og irriteret over alle de detaljer skal skal have med...

There are some really good gags here, but for every two of those there's one that's a dud. Trying to shoehorn the character into a more conventional storyline doesn't succeed that well, either. Tati's at his best when his films leisurely flutter about, not when trying to get from point A to point B. Still, it's not a bad way to get a Tati fix, although little of the humor springs from Hulot. The camping car is a brilliant piece of work, and some of the antics at the convention are funny.

My least favorite Tati, perhaps, but still incredibly charming and fun.

Incredibly boring and overacted. Sorry, but seeing vehicles ply back and forth on the highways and people mumbling and milling about is not my idea of comedy. My first Jacques Tati movie, and from the looks of it, probably my last too.

The gags are a little less natural and clever than those of Tati's previous Hulot films, but it has its moments, most often when dealing with many nameless members of society rather than the handful of "protagonists." My favorite element is that a lot of the visual gags depend on your imagination and don't actually follow through as you'd expect.