Simplistic storytelling and outmoded sexual politics. I'm not doubting Griffith's talent as a filmmaker. But even if he was ahead of his time cinematically, his puritanical attitudes seem dated even by 1919 standards. His soapbox approach to cinema really bugs me, few hands are heavier. I kept rooting for bad girl Bettina, because William was such a crashing bore and Susie was such a doormat idiot. Nonetheless, it is at least mildly entertaining fare, well-paced, well-shot and well-acted.

#916

I'm not sure how I feel about the ending or the film's overall message, but damn if it isn't a well told love story. Great performance and perfect pacing with some really good intertitles that have just a faint touch of mockery for every character. While I didn't find the visuals to be anything special, the film is well shot and there are a few shot selections that are just brilliant in the "a picture says a thousand words" sense.

# 880

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