The film packs a dynamite cast, most of whom are excellent. The news syndicate story takes most of the spotlight, and it's got some compelling aspects. The serial killer story, however, gets the short shrift. Very ho-hum compared to similar plotlines in other noirs. It does allow for a pretty good chase scene, though. Unfortunately, that particular scene is one of only a small handful that display any sense of style. Watchable, passable... and ultimately forgettable.

Disposable and not outstanding in any way. I guess it's not bad, though.

Fritz Lang takes a novel approach to noir, using a serial killer (striking in a chilling cold open) as a backdrop to explore the internecine conflicts within a large news organization. From this unusual angle, Lang captures the essence of noir: an arrogant, pertinacious protagonist, an inimitably creepy killer, and several egoistic employees who can't betray each other fast enough. The story flows organically from these characters' motivations and decisions, spinning a very well-made noir tale.

Towards the end of the film there's a short chase sequence through some subway tunnels where you get to see a glimpse of Lang's flair as a director, but the rest is utterly pedestrian. A murder mystery where the murderer (sort of like a juvenile delinquent Norman Bates) is revealed in the opening scene combined with a tedious soap opera about office politics. Very disappointing.

#783

What an odd little movie; it can't decide whether it wants to be a workplace comedy or a thriller. Dana Andrews makes up for George Sanders being underused.

730

Wonderful work from everyone involved. Strong noir acting, wonderful direction and a very gripping story. A mix of crime drama and human drama that's handled really well and while the elements are familiar the film still manages to feel fresh. Stronger visuals are the only thing it's missing but it's a minor complaint.

# 757

Didn't care too much for this one. The serial killer bit seemed shoehorned into a plodding newspaper story to add some bulk, but it almost destroys the pacing and makes this film a bit of a snoozer. And really, take one look at the killer, I've never seen anyone look so guilty!

770

Great newspaper picture full of cynics, opportunists, sluts and drunkards, directed in a disciplined, spare style.