As usual, Mizoguchi shows us how the callousness of men and economic necessity make of prostitution a continual resort for women, but in this movie he also makes it clear that the "fallen" women themselves, whose only real hope lies in each other, routinely treat one another with callousness and viciousness. Mizoguchi's ending suggests that there is hope, but only if such women can overcome their self-hatred and support each other. Features a fine performance by Kunuo Tanaka as Fusako.

Talk about down and out. This film is most interesting as a reflection of Postwar Japan, and the plight of prostitutes is perfectly suited to Mizoguchi's sensibilities. Apparently inspired by what Italian filmmakers were doing at the time, he takes to the streets to depict his most rugged characters in all their misery. Also notable is all the surprisingly frank discussion of STDs.

Very dramatic compositions and camera moves. But the music just doesn't work, it comes in and out at awkward moments and never really gels with the action onscreen. I also had a problem with Fusako's life-changing decision, it didn't feel organic at all to me. I did appreciate the gritty realism, with Mizoguchi dealing quite frankly with prostitution, venereal disease, rape and drug use. However, I thought the ending was a little over-the-top (although certainly chilling).