"The legacy of Chris Marker weeps when the future of essay filmmaking looks like a feature-length commercial for Ambien." - Eric Henderson

Errol Morris meets David Lynch. Chaos ensues.

Its artistic ambitions are so obvious, it is almost painful. But while it may look pretty or even beautiful at times, its form desperately lacks content.

One feels that this movie shouldn't be as beautiful as it is. It's an uncomfortable subject that leads to an even more unfortunate death, and yet without showing the act, without getting explicit the movie has this great sadness and some beautiful images. I would love to see what these filmmakers did with a different subject matter because some of the imagery is so striking I kind of want to get lost in it it, especially the night time woods stuff.

Wow. Just, wow. Watch it if you can stomach the content. Actually a pretty well-done documentary. It takes the controversial viewpoint of the zoophiles, whose side of the story you never seem to hear otherwise. It's still disgusting, but I enjoy hearing all sides to a story, no matter how controversial or crazy.

Yeah this movie sucked. It was boring, slowly paced, and tried to stretch out 20 to 30 minutes of story to 1:15. We've all seen the video, and this brings nothing new to the story. Take a definite pass on this one.

I never have seen such a boring documentary about an interesting topic. Was there even one scene not on slow motion. And who was that cop in the photo studio - just didn't make any sense.

Really poor. Even given the choicest material, Devor was completely unable to construct a coherent story, and apparently thinks that a shot in slow motion is inherently "artful". And in insisting on providing a sympathetic look at these men, he glosses over the depth of their perversion. Anything that might cast them in a bad light (eg: bucketfuls of DVDs with footage) is barely handled. The result is an extremely uneven film.