Going through films I ranked, here are the films with that hypnotic/dreamlike quality to it, totally open to debate;
Grand Illusion(I don't know how Renoir manages it, the movie totally mindboggles me), Ran, Three Colors: Blue, Persona(may be the definitive one), Hiroshima mon amour(it sets in the mindscape more than a physical one just like Marienbad), Apocalypse Now(just like Aguirre we are on our way to hell), Eraserhead(out of all Lynchian experience this is the one that does it absolutely), Mind Game, Waking Life, Badlands(and every other Mallick), Play Time(this is a peculiar one and is able to short circuit any reasoning I have), Brazil, Crash(the feeling kicks in the first moment it starts), Spirit of the Beehive(a rare gem), Bad Timing(one of the most efficient use of flashback), La Jetée(I remember watching it for a lesson in class everyone was bound by silence), Empire of the Sun(again Ballard, one of the two times Spielberg manages it along with 3rd kind), Dersu Uzala(two years in the steeps of syberia), The Assassination of Jesse James(the reason movie is considered arthouse instead of mainstream), Sonatine(Kitano tries it everytime and with Dolls...), Reconstruction, Blow Up, L'Atalante, Audition (and The Bird People in China), The Return (2003), High Plains Drifter, I Want You, Tenshi no tamago, Cemetery Man(other than the hypnosis this movie doesn't have much), The Hunger, Europa, Seom.......it's getting lenghty, better to stop

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With a quick glimpse at what I listed the general binding properties of hypnotic/dreamlike movies are simply visual scenery,shifty time or space, entrapment into a mind/feeling/idea/phase. I remember arguing what made Mallick unique in his ways with a cinema academician friend, the technique is one for sure. But more than that he proposes a perception that we are supposed to be familiar with but are not or can not define it, that lures one into a hypnotic state imo.