
Ridley Scott.
Admittedly this title probably doesn't work perfectly because Ridley Scott is one hell of an artist, he just happens to be an artist that makes Hollywood Blockbusters that make millions of dollars and win Oscars.
My first Ridley Scott experience was 9 years ago when I tried to sneak in to see Gladiator because I wasn't 18, got caught, and had to watch Battlefield Earth instead. The next day, after I got over my dutch-angle vertigo, I made my dad take me. At the time I was only 16 and wasn't "into" film for anything more than entertainment. I can still remember when I fell in love with him. "On my signal, unleash hell." Minutes later you see what hell is. Gladiator introduced me to my now favourite genre: the sword and the sandal. I fully admit I got caught up in the "Gladiator effect" and never, ever got out.
I really got into film as an art years later and I went back to rewatch some of the films I had enjoyed earlier with the eye of a film enthusiast and not only did I still enjoy most of his films that I watched earlier, save G.I. Jane, but I enjoyed them even more. I think the best way I can describe Scott is that his movies simply "look right." There's no other way for me to put it. His action scenes frequently cut rapidly between angles but you can still fully follow what's going on without much difficulty, compared with Paul Greengrass, who I also enjoy but can't deny you do have to put in effort to follow what the hell is going on.
As an example I give you the scene from what is arguably Scott's masterpiece Blade Runner. Tyrell's office:

If you've seen the film you know that the light on the back wall moves and dances. However it's not motivated light and Scott got into a disagreement with his crew over it, where he said "I need this effect on the wall of wavy light." He was told there's no reason for the light to be there so why put the light there? When you watch the scene, it simply feels right.
A few years ago I rewatched Black Hawk Down at the behest of a friend of mine who loves the realistic war films. On my first viewing I wasn't impressed but with the subsequent viewing suggested by my friend I began to warm to the film. Since it has become on of my favourite movies and I wrote a paper on it for my film class discussing the formalist techniques used in the film to give the viewer a sense of the reality the soldiers go through on the battlefield.
I'll be honest he hasn't been without his duds. A Good Year was good to me, and apparently only me. Legend looks great but feels like a cinematic version of Calvinball as rules are seemingly made up on the spot, and there's way too many close-ups (and yeah I'm talking about the Director's Cut of it). Matchstick Men could've been a lot better without Nicholas Cage, G.I. Jane is nowhere near as good as I remember it and Black Hawk Down is simply way better. Ridley's return to horror in Hannibal is his worst film en devour yet, in my opinion. But, at almost 71, he's still making fantastic films like the Director's Cut Kingdom of Heaven, American Gangster and Body of Lies.
To date I have seen 13 of his films, with 5 more to go according to Criticker. Here they are, listed according to my preference:
Kingdom of Heaven 96
Alien 95
Blade Runner 95
Black Hawk Down 94
Gladiator 90
American Gangster 89
The Duellists 85
Body of Lies 80
Legend 74
A Good Year 74
Matchstick Men 64
Legend 64
G.I. Jane 60
Hannibal 57
I know I can't be the only one out there who considers him on of the best Hollywood filmmakers out there.








